Film and Music
See also: Socialist realism in Polish literatureWhile the socialist realism doctrine in Soviet cinema originated around the time of the Bolshevik Revolution (Eisenstein, Dovzhenko, Pudovkin) and reached its peak in the 1930s, it did not have sufficient time to develop in postwar Poland. Therefore, the cult of the communist party remained alien to the local film industry. Among the more creative Polish films loosely adhering to principles of socialist realism were Celuloza by Jerzy Kawalerowicz, Pokolenie by Andrzej Wajda and Piątka z ulicy Barskiej by Aleksander Ford. The ideological stereotype gave birth to some inferior productions as well, such as Uczta Baltazara by Jerzy Zarzycki and Jerzy Passendorfer.
In music, the trend was limited to art song, film soundtrack, and pop-song based on local folk tradition. Communist ideals were glorified in lyrics. Among the prominent composers were Jan Maklakiewicz: "Śląsk pracuje i śpiewa" (Silesia Works and Sings), Alfred Gradstein: "Na prawo most, na lewo most" (A Bridge on the Right, and a Bridge on the Left), and Andrzej Panufnik: "Symfonia Pokoju" (The Symphony to Peace). Widely promoted popular songs included "O Nowej to Hucie piosenka" (This Song is about Nowa Huta) featured here with the video. The song is still well remembered by most Polish people of the older generation.
Following Stalin's death, and especially from 1953 on, critical opinions were heard with increasing frequency. Finally, as part of the Gomułka political thaw from within the Polish United Workers' Party, the entire doctrine was officially given up in 1956.
Read more about this topic: Socialist Realism In Poland
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“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)
“As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
—Baruch (Benedict)