Social science fiction is a subgenre of science fiction concerned less with technology and space opera and more with sociological speculation about human society. In other words, it "absorbs and discusses anthropology", and speculates about human behavior and interactions.
Exploration of fictional societies is a significant aspect of science fiction, allowing it to perform predictive (H. G. Wells, The Final Circle of Paradise) and precautionary (Fahrenheit 451) functions, to criticize the contemporary world (Antarctica-online) and to present solutions (Walden Two), to portray alternative societies (World of the Noon) and to examine the implications of ethical principles (the works of Sergei Lukyanenko).
Read more about Social Science Fiction: Social Science Fiction in English, The Genre in The Eastern Bloc, Examples From The 1940s
Famous quotes containing the words science fiction, social, science and/or fiction:
“Science fiction writers, I am sorry to say, really do not know anything. We can’t talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful.”
—Philip K. Dick (1928–1982)
“We all participate in weaving the social fabric; we should therefore all participate in patching the fabric when it develops holes—mismatches between old expectations and current realities.”
—Anne C. Weisberg (20th century)
“The poet uses the results of science and philosophy, and generalizes their widest deductions.”
—Henry David Thoreau (1817–1862)
“Although the primitive in art may be both interesting and impressive, as portrayed in American fiction it is conspicuous for dullness alone. Drab persons living drab lives, observed by drab minds and reported in drab writing ...”
—Ellen Glasgow (1873–1945)