Social science fiction is a subgenre of science fiction concerned less with technology and space opera and more with sociological speculation about human society. In other words, it "absorbs and discusses anthropology", and speculates about human behavior and interactions.
Exploration of fictional societies is a significant aspect of science fiction, allowing it to perform predictive (H. G. Wells, The Final Circle of Paradise) and precautionary (Fahrenheit 451) functions, to criticize the contemporary world (Antarctica-online) and to present solutions (Walden Two), to portray alternative societies (World of the Noon) and to examine the implications of ethical principles (the works of Sergei Lukyanenko).
Read more about Social Science Fiction: Social Science Fiction in English, The Genre in The Eastern Bloc, Examples From The 1940s
Famous quotes containing the words social, science and/or fiction:
“Family ... the home of all social evil, a charitable institution for comfortable women, an anchorage for house-fathers, and a hell for children.”
—J. August Strindberg (1849–1912)
“The belief that established science and scholarship—which have so relentlessly excluded women from their making—are “objective” and “value-free” and that feminist studies are “unscholarly,” “biased,” and “ideological” dies hard. Yet the fact is that all science, and all scholarship, and all art are ideological; there is no neutrality in culture!”
—Adrienne Rich (b. 1929)
“A fiction about soft or easy deaths ... is part of the mythology of most diseases that are not considered shameful or demeaning.”
—Susan Sontag (b. 1933)