Social Science Fiction

Social science fiction is a subgenre of science fiction concerned less with technology and space opera and more with sociological speculation about human society. In other words, it "absorbs and discusses anthropology", and speculates about human behavior and interactions.

Exploration of fictional societies is a significant aspect of science fiction, allowing it to perform predictive (H. G. Wells, The Final Circle of Paradise) and precautionary (Fahrenheit 451) functions, to criticize the contemporary world (Antarctica-online) and to present solutions (Walden Two), to portray alternative societies (World of the Noon) and to examine the implications of ethical principles (the works of Sergei Lukyanenko).

Read more about Social Science Fiction:  Social Science Fiction in English, The Genre in The Eastern Bloc, Examples From The 1940s

Famous quotes containing the words social science, social, science and/or fiction:

    “The new supplants the old. Yet men’s minds are stuffed with outworn bunk. Educating the young in the latest findings of authorities and scholars in the social sciences is important. It is equally important to devise ways and means for aiding the middle-aged and old to reexamine hang-over unscientific doctrines and ideas in the light of recent discovery and research.”
    —Mary Barnett Gilson (1877–?)

    “Imagination is always the fabric of social life and the dynamic of history. The influence of real needs and compulsions, of real interests and materials, is indirect because the crowd is never conscious of it.”
    —Simone Weil (1909–1943)

    “The well-educated young woman of 1950 will blend art and sciences in a way we do not dream of; the science will steady the art and the art will give charm to the science. This young woman will marry—yes, indeed, but she will take her pick of men, who will by that time have begun to realize what sort of men it behooves them to be.”
    —Ellen Henrietta Swallow Richards (1842–1911)

    “The purpose of a work of fiction is to appeal to the lingering after-effects in the reader’s mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.”
    —F. Scott Fitzgerald (1896–1940)