Social science fiction is a subgenre of science fiction concerned less with technology and space opera and more with sociological speculation about human society. In other words, it "absorbs and discusses anthropology", and speculates about human behavior and interactions.
Exploration of fictional societies is a significant aspect of science fiction, allowing it to perform predictive (H. G. Wells, The Final Circle of Paradise) and precautionary (Fahrenheit 451) functions, to criticize the contemporary world (Antarctica-online) and to present solutions (Walden Two), to portray alternative societies (World of the Noon) and to examine the implications of ethical principles (the works of Sergei Lukyanenko).
Read more about Social Science Fiction: Social Science Fiction in English, The Genre in The Eastern Bloc, Examples From The 1940s
Famous quotes containing the words social, science and/or fiction:
“What is done for science must also be done for art: accepting undesirable side effects for the sake of the main goal, and moreover diminishing their importance by making this main goal more magnificent. For one should reform forward, not backward: social illnesses, revolutions, are evolutions inhibited by a conserving stupidity.”
—Robert Musil (1880–1942)
“Science is a system of statements based on direct experience, and controlled by experimental verification. Verification in science is not, however, of single statements but of the entire system or a sub-system of such statements.”
—Rudolf Carnap (1891–1970)
“... any fiction ... is bound to be transposed autobiography.”
—Elizabeth Bowen (1899–1973)