Fashion
Rock music and fashion have been inextricably linked. In the mid-1960s of the UK, rivalry arose between "Mods" (who favoured 'modern' Italian-led fashion) and "Rockers" (who wore motorcycle leathers), each style had their own favored musical acts. (The controversy would form the backdrop for The Who's rock opera Quadrophenia). In the 1960s, The Beatles brought mop-top haircuts, collarless blazers, and Beatle Boots into fashion.
Rock musicians were also early adopters of hippie fashion and popularised such styles as long hair and the Nehru jacket. As rock music genres became more segmented, what an artist wore became as important as the music itself in defining the artist's intent and relationship to the audience. In the early 1970s, Glam rock became widely influential featuring glittery fashions, high heels and camp. In the late 1970s, Disco acts helped bring flashy urban styles to the mainstream, while Punk groups began wearing mock-conservative attire, (including suit jackets and skinny ties), in an attempt to be as unlike mainstream rock musicians, who still favored blue jeans and hippie-influenced clothes.
Heavy Metal bands in the 1980s often favoured a strong visual image. For some bands, this consisted of leather or denim Jackets & pants, spike/studs & long hair. Visual image was a strong component of the Glam Metal movement.
In the early 1990s, the popularity of Grunge brought in a punk influences fashion of its own, including torn jeans, old shoes, flannel shirts, backwards baseball hats, and grew their hair against the clean-cut image that was popular at the time in heavily commercialized pop music culture.
Musicians continue to be fashion icons; pop-culture magazines such as Rolling Stone often include fashion layouts featuring musicians as models.
Read more about this topic: Social Effects Of Rock Music
Famous quotes containing the word fashion:
“Women who are devoted to causes, such as overpopulation and the underprivileged [sic], are much less interested in fashion than, let’s say, those who lunch at La Grenouille and Le Cirque.”
—Ann Landers (b. 1918)
“His reversed body gracefully curved, his brown legs hoisted like a Tarentine sail, his joined ankles tacking, Van gripped with splayed hands the brow of gravity, and moved to and fro, veering and sidestepping, opening his mouth the wrong way, and blinking in the odd bilboquet fashion peculiar to eyelids in his abnormal position. Even more extraordinary than the variety and velocity of the movements he made in imitation of animal hind legs was the effortlessness of his stance.”
—Vladimir Nabokov (1899–1977)
“How dwarfed against his manliness
She sees the poor pretension,
The wants, the aims, the follies, born
Of fashion and convention!”
—John Greenleaf Whittier (1807–1892)