Plot
Following the death of her mother, Selina Peake (Barbara Stanwyck) and her father (Robert Warwick) move to Chicago, where she enrolls in finishing school. Her father is killed, leaving her penniless, and Selina's friend Julie Hemple (Mae Madison) helps her find a job as a schoolteacher in a small Dutch community. Selina moves in with the Poole family and tutors their son Roelf (George Brent). Selina eventually marries immigrant farmer Pervus De Jong (Earle Foxe) and gives birth to Dirk (Hardie Albright), nicknamed "So Big", who becomes the primary focus of her life. When Pervus dies, Selina struggles to keep the farm afloat so she can afford to finance her son's education, hoping he will become an architect.
Dirk becomes involved with a married woman, who arranges for him to get a job as a bond salesman in her husband's firm, making much more money than as an apprentice architect. Eventually he meets and falls in love with unconventional artist Dallas O'Mara (Bette Davis), but she refuses to marry him because of his lack of ambition. Roelf, now a renowned sculptor, meets Dirk and, learning Selina is his mother, reunites with his former tutor. She is pleased to know her influence helped mold Roelf's character, even as she accepts her own son's weaknesses and disappointments.
Read more about this topic: So Big! (1932 Film)
Famous quotes containing the word plot:
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they wont
Aspire, astound, establish or estrange.”
—Philip Larkin (19221986)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)