Plot
The story centers on Victor Joseph (Adam Beach) and Thomas Builds-the-Fire (Evan Adams) who live on the Coeur D'Alene Indian Reservation in Plummer, Idaho. Thomas is an eccentric storyteller and Victor is an angry, rising local basketball star.
Victor and Thomas, are brought together through Victor's father, Arnold (Gary Farmer). Arnold rescued Thomas as an infant from a house fire that killed his parents. Because of this, Thomas considers him a hero. On the other hand, Victor, who endures Arnold's alcoholism, domestic violence, and eventual child abandonment, regards his father with both deep love and bitter resentment. Thomas and Victor grow up together as neighbors and acquaintances, fighting with each other and simultaneously forming a close, albeit uneasy, alliance.
When Arnold dies in Phoenix, Arizona, where he has stayed after leaving Victor and his mother Arlene (Tantoo Cardinal), Victor and Thomas go on an adventure to retrieve his ashes. It was a self proclaiming trip for Victor and Thomas. Neither of them lose sight of their identity as "Indians", but their perspectives differ. Victor is more of a stoic type, and Thomas is more traditional (and romantic to the point of watching the feature film Dances with Wolves countless times). This dichotomy continues all through the film and is the source of Victor's irritation with Thomas, and Thomas's fascination with Victor.
Once in Phoenix, Victor must confront his conflicted feelings about his father, as well as his own identity. He also must grapple with information provided to him by his father's friend, Suzie Song (Irene Bedard), mainly, the true origins of the fire that killed Thomas' parents. The trip turns out to ultimately cure Victor's brooding disposition toward life and shows him why his father became an alcoholic, was abusive, and eventually left their family. The film concludes with Victor achieving a better understanding of Thomas and of his unconditional reverence for Arnold.
Read more about this topic: Smoke Signals (film)
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)