Plot
The story centers on Victor Joseph (Adam Beach) and Thomas Builds-the-Fire (Evan Adams) who live on the Coeur D'Alene Indian Reservation in Plummer, Idaho. Thomas is an eccentric storyteller and Victor is an angry, rising local basketball star.
Victor and Thomas, are brought together through Victor's father, Arnold (Gary Farmer). Arnold rescued Thomas as an infant from a house fire that killed his parents. Because of this, Thomas considers him a hero. On the other hand, Victor, who endures Arnold's alcoholism, domestic violence, and eventual child abandonment, regards his father with both deep love and bitter resentment. Thomas and Victor grow up together as neighbors and acquaintances, fighting with each other and simultaneously forming a close, albeit uneasy, alliance.
When Arnold dies in Phoenix, Arizona, where he has stayed after leaving Victor and his mother Arlene (Tantoo Cardinal), Victor and Thomas go on an adventure to retrieve his ashes. It was a self proclaiming trip for Victor and Thomas. Neither of them lose sight of their identity as "Indians", but their perspectives differ. Victor is more of a stoic type, and Thomas is more traditional (and romantic to the point of watching the feature film Dances with Wolves countless times). This dichotomy continues all through the film and is the source of Victor's irritation with Thomas, and Thomas's fascination with Victor.
Once in Phoenix, Victor must confront his conflicted feelings about his father, as well as his own identity. He also must grapple with information provided to him by his father's friend, Suzie Song (Irene Bedard), mainly, the true origins of the fire that killed Thomas' parents. The trip turns out to ultimately cure Victor's brooding disposition toward life and shows him why his father became an alcoholic, was abusive, and eventually left their family. The film concludes with Victor achieving a better understanding of Thomas and of his unconditional reverence for Arnold.
Read more about this topic: Smoke Signals (film)
Famous quotes containing the word plot:
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)