Smaug - Concept and Creation

Concept and Creation

Tolkien created numerous pencil sketches and two pieces of more detailed artwork portraying Smaug. The latter were a detailed ink and watercolour labelled Conversation with Smaug and a rough coloured pencil and ink sketch entitled Death of Smaug. While neither of these appeared in the original printing of The Hobbit due to cost constraints, both have been included in subsequent editions and Conversation with Smaug has been used extensively. Death of Smaug was used for the cover of an early UK paperback edition of The Hobbit.

From 1925 to 1945, Tolkien was a Professor of Anglo-Saxon at Oxford University, and a prominent critic of and expert on Beowulf — on which he gave a lecture at the British Academy in 1936 and which he described as one of his "most valued sources" for The Hobbit. Many of Smaug's attributes and behaviour in The Hobbit derive directly from the unnamed "old night-scather" in Beowulf: great age; winged, fiery, and reptilian form; a stolen barrow within which he lies on his hoard; disturbance by a theft; and violent airborne revenge on the lands all about. Smaug was intimately familiar with every last item within his hoard, and instantly noticed the theft of a relatively inconsequential cup by Bilbo Baggins. Tolkien writes that Smaug's rage was the kind which "is only seen when rich folk that have more than they can enjoy lose something they have long had but never before used or wanted." This theft of a cup, Smaug's knowledge of every item in the hoard, and the dragon's ensuing rampage, all echo the story of Beowulf.

Tolkien noted that "the dragon bears as name—a pseudonym—the past tense of the primitive Germanic verb smugan, to squeeze through a hole: a low philological jest."