Production
Going into season three, the Smallville crew wanted to establish two main themes, which were the consequences of Clark running from his destiny, and Lex taking steps toward "the dark side". One of the consequences the creative team attempted to show for Clark was his distancing himself from his friends. Season three was also about showing just how evil Lionel is – illustrated by how he attempts to destroy Chloe’s life and make Lex believe that he is going insane. In order to get better performances from the actors in each individual episode, the crew would often limit the detail an actor knew about their character. Meeting just at the beginning of the year to discuss the plans for the actor’s respective roles, usually the actors would only find out precisely what their characters were going to do when the scripts arrived. Other times, an actor might be given a specific piece of character development and told to keep it a secret from the rest of the cast.
Read more about this topic: Smallville (season 3)
Famous quotes containing the word production:
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
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—State of Utah, U.S. public relief program (1935-1943)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)