A sliding glass door or patio door, a type of sliding door in architecture and construction, is a large glass window opening in a structure that provide door access from a room to the outdoors, fresh air, and copious natural light. A sliding glass door is usually considered a single unit consisting of two panel sections, one being fixed and one a being mobile to slide open. Another design, a wall sized glass pocket door has one or more panels movable and sliding into wall pockets, completely disappearing for a 'wide open' indoor-outdoor room experience.
The sliding glass door was introduced as a significant element of pre-war International style architecture in Europe and North America. Their precedent is the sliding Shōji and Fusuma panel door in traditional Japanese architecture. The post-war building boom in modernist and Mid-century modern styles, and on to suburban ranch-style tract houses, multi-unit housing, and hotel-motel chains has made them a standard element in residential and hospitality building construction in many regions and countries.
Read more about Sliding Glass Door: Terminology, Uses, Fabrication, See Also
Famous quotes containing the words sliding, glass and/or door:
“What opium is instilled into all disaster? It shows formidable as we approach it, but there is at last no rough rasping friction, but the most slippery sliding surfaces. We fall soft on a thought.”
—Ralph Waldo Emerson (1803–1882)
“The highway presents an interesting study of American roadside advertising. There are signs that turn like windmills; startling signs that resemble crashed airplanes; signs with glass lettering which blaze forth at night when automobile headlight beams strike them; flashing neon signs; signs painted with professional touch; signs crudely lettered and misspelled.... They extol the virtues of ice creams, shoe creams, cold creams;...”
—For the State of Florida, U.S. public relief program (1935-1943)
“While they stand at home at the door he is dead already,
The only son is dead.
But the mother needs to be better,
She with thin form presently drest in black,
By day her meals untouch’d, then at night fitfully sleeping, often waking,
In the midnight waking, weeping, longing with one deep longing,
O that she might withdraw unnoticed, silent from life escape and
withdraw,
To follow, to seek, to be with her dear dead son.”
—Walt Whitman (1819–1892)