Production
Tama Janowitz had written a script for Andy Warhol, based on the Eleanor and Stash stories in her 1986 collection of short stories, Slaves of New York. When Warhol died, Merchant-Ivory bought that script. The real graffiti artist from New York City named STASH, who is a friend of Janowitz, was the influence for the name of her lead character and can be seen as an extra in many of the party scenes.
The fashion show in the movie had costumes by designer Stephen Sprouse.
In discussing casting the role of Eleanor, James Ivory commented: "...but out of 100 girls, there was not a single one with Miss Peters's originality. We wanted someone unusual and different but also ingenuous and not too knowing."
Slaves of New York was shot on location in New York City, in the Lower East Side, a downtown gallery and a club. Shooting started on April 4, 1988, with a 10-week shooting schedule. There was a "modest" budget—$5 million—that meant there were no lengthy rehearsals. There was one read-through before shooting began.
There are several cameos in this film: for example, Producer Ismail Merchant, lyricist Betty Comden and Adam Green, son of her writing partner, Adolph Green, and Tony-Award winning actress Tammy Grimes appear in party scenes.
Read more about this topic: Slaves Of New York
Famous quotes containing the word production:
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)