Production
Tama Janowitz had written a script for Andy Warhol, based on the Eleanor and Stash stories in her 1986 collection of short stories, Slaves of New York. When Warhol died, Merchant-Ivory bought that script. The real graffiti artist from New York City named STASH, who is a friend of Janowitz, was the influence for the name of her lead character and can be seen as an extra in many of the party scenes.
The fashion show in the movie had costumes by designer Stephen Sprouse.
In discussing casting the role of Eleanor, James Ivory commented: "...but out of 100 girls, there was not a single one with Miss Peters's originality. We wanted someone unusual and different but also ingenuous and not too knowing."
Slaves of New York was shot on location in New York City, in the Lower East Side, a downtown gallery and a club. Shooting started on April 4, 1988, with a 10-week shooting schedule. There was a "modest" budget—$5 million—that meant there were no lengthy rehearsals. There was one read-through before shooting began.
There are several cameos in this film: for example, Producer Ismail Merchant, lyricist Betty Comden and Adam Green, son of her writing partner, Adolph Green, and Tony-Award winning actress Tammy Grimes appear in party scenes.
Read more about this topic: Slaves Of New York
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)