Slavery in Medieval Europe

Slavery In Medieval Europe

Slavery in early medieval Europe was relatively uncommon and in Western Europe slavery largely disappeared by the later Middle Ages. It was widespread at the end of antiquity. The etymology of the word slave comes from this period, the word sklabos meaning Slav. Slavery declined in the Middle Ages in most parts of Europe as serfdom slowly rose, but it never completely disappeared. It persisted longer in Southern and Eastern Europe. In Poland slavery was forbidden in the 15th century; it was replaced by the second enserfment. In Lithuania, slavery was formally abolished in 1588.

Throughout this period slaves were traded openly in most cities, including cities as diverse as Marseilles, Dublin, Verdun and Prague, and many were sold to buyers in the Middle East. The town of Caffa in the Crimea was called the capital of the medieval slave trade, but an overland route to Caliphate of Córdoba took pagan and dualist Slavs from Kiev through Lviv and Prague, at that time the borderlands of Christianity, this arduous land route competing with the North-South route by river which led to the Black Sea.

Read more about Slavery In Medieval Europe:  Early Middle Ages, Slave Trade, Slavery in The Crusader States, Slavery in Muslim Iberia, Slavery in Moldavia and Wallachia, Slavery in The Ottoman Empire, Slavery in Poland, Slavery in Russia, Slavery in Scandinavia, Slavery in Gaelic Regions, Serfdom Compared

Famous quotes containing the words slavery, medieval and/or europe:

    The parallel between antifeminism and race prejudice is striking. The same underlying motives appear to be at work, namely fear, jealousy, feelings of insecurity, fear of economic competition, guilt feelings, and the like. Many of the leaders of the feminist movement in the nineteenth-century United States clearly understood the similarity of the motives at work in antifeminism and race discrimination and associated themselves with the anti slavery movement.
    Ashley Montagu (b. 1905)

    Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.
    Philippe Ariés (20th century)

    Well then! Wagner was a revolutionary—he fled the Germans.... As an artist one has no home in Europe outside Paris: the délicatesse in all five artistic senses that is presupposed by Wagner’s art, the fingers for nuances, the psychological morbidity are found only in Paris. Nowhere else is this passion in questions of form to be found, this seriousness in mise en scène—which is Parisian seriousness par excellence.
    Friedrich Nietzsche (1844–1900)