History and Manuscripts
Dated to the late 13th or early 14th century, it represents a mixture of the Greek myth of Orpheus with Celtic mythology and folklore concerning fairies, introduced into the English culture via the Old French Breton lais of poets like Marie de France. The Wooing of Etain bears particular resemblance to the romance and was a probable influence.
Sir Orfeo is preserved in three manuscripts: the oldest, Advocates 19.2.1, known as the Auchinleck MS. is dated at about 1330; Harley 3810, is from about the beginning of the fifteenth century; and Ashmole 61, compiled over the course of several years, the portion of the MS. containing Sir Orfeo dating around 1488. The beginning of the poem describes itself as a Breton lai, and says it is derived from a no longer extant text, the Lai d'Orphey.
The fragmentary Child Ballad 19 "King Orfeo" is closely related to this poem, the surviving text containing only portions of the known story. The ballad has been recorded by Barbara Dickson, and by the groups Alva and Malinky.
Following J.R.R. Tolkien's death, his son Christopher Tolkien found an unpolished translation of Sir Orfeo and published it in edited form with Sir Gawain and the Green Knight and Pearl.
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