Press
'It's impossible to do justice to the film's arrant and quite unique lunacy.' – The Financial Times
'Sir Henry is a comic masterpiece.' – NME
'This extraordinary film is one of the most haphazard British comedies I've seen. It is also a long time since I've laughed so much... a cult in the making.' – The Guardian
'You'll laugh, you'll cry, you'll jab your eyes with fingers still trembling from the trauma of being made a child again. You'll jab your eyes just to check you've just seen what you think you've seen.... Sir Henry is a film to be experienced as closely and seriously and often as possible, a work of art that should sink under the skin and into the bones and do its good work like vitamins and (Captain Beefheart's) Trout Mask Replica. I can't recommend it highly enough so I won't even start. It's out there if you want it. And in here (tap skull and chest) whether you want it or not, Englander pig dog. A talking picture. And what could be more wonderful than that?' – Plan B
'It wouldn't be a million miles wide of the mark to call "Sir Henry at Rawlinson End" a missing link between Monty Python and "Withnail & I", but as the brainchild of Vivian Stanshall - pack leader of the Bonzo Dog Doo-Dah Band - it has a place in the pantheon of sophisticated English silliness all of its own.' ***** – Time Out
'Although it truly is in the grand wazoo of weird, the film remains surprisingly unknown and unscreened since its release in 1980. I remember a grainy VHS furtively passed around at school, and even this clear as a bell DVD version feels a bit naughty... The movie equivalent of cheese before bed, this film guarantees nightmares, but in a good way.' – The Big Issue
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Famous quotes containing the word press:
“Flee from the press and dwell with soothfastness;
Suffice unto thy good though it be small,
For hoard hath hate and climbing ticklishness,
Press hath envy and weal blent overall;”
—Geoffrey Chaucer (1340?1400)
“Fear death?to feel the fog in my throat,
The mist in my face,
When the snows begin, and the blasts denote
I am nearing the place,
The power of the night, the press of the storm,
The post of the foe;
Where he stands, the Arch Fear in a visible form,
Yet the strong man must go:”
—Robert Browning (18121889)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)