Production
The first plan for a film adaption of Selma Lagerlöf's The Treasure at Svenska Biografteatern, the dominating production company in Sweden during the silent era, was in 1915, but fell through. In 1917 a stage adaptation of the story premiered at Deutsches Theater in Berlin, and an offer was received from a German film company which wanted to adapt it. After the play was staged in Gothenburg the following year, Svenska Biografteatern decided to go ahead and produce the film themselves. The screenplay by Mauritz Stiller and Gustaf Molander differs from the novel in that it tells the story in a more strictly chronological order, and incorporates some details which were introduced in the German play. Stiller also chose to tone down the story's supernatural elements.
Filming took place from 12 February to 10 May 1919, in the studio area of Svenska Filmbiografen, later AB Svensk Filmindustri, on Lidingö, Stockholm, where the alleys of Marstrand had been reconstructed. Other exterior scenes were shot in the nearby area on Lidingö and Lilla Värtan, as well as around Furusund in the Stockholm archipelago, where the ship had been left over the winter and frozen in. Some filming took place further north in Skutskär, and around Sollefteå in Ångermanland.
Read more about this topic: Sir Arne's Treasure
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (18091882)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (18171862)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (16131680)