Sino-Singapore Tianjin Eco-city - Key Features

Key Features

Green spaces will be interspersed throughout the city. Located in an area of low rainfall, the Eco-city will draw a significant part of its water supply from non-traditional sources such as desalinated water.

Integrated waste management will be implemented in the Eco-city, with particular emphasis on the reduction, reuse and recycling of waste. A light-rail transit system, supplemented by a secondary network of trams and buses, will be the main mode of transportation in the Eco-city. This will help to reduce its carbon emissions.

Social harmony will be a key feature of the Eco-city. An important instrument will be subsidised public housing in the Eco-city, which will help to meet the housing needs of the lower and lower-middle income strata of society, and enable people of different income and social strata to live near to, and interact with, one another. The Eco-city will be barrier-free to cater to the needs of the elderly and the mobility-impaired. Public social and recreational facilities will be located within easy access of homes to meet residents’ needs and provide opportunities for residents to interact.

The development of the Eco-city will respect local heritage. The profile of the Ji Canal, which is 1,000 years old, will be retained. Two existing villages within the Eco-city site will also be conserved through adaptive reuse or partial rebuilding.

Read more about this topic:  Sino-Singapore Tianjin Eco-city

Famous quotes containing the words key and/or features:

    This is not a book. This is libel, slander, defamation of character. This is not a book, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty ... what you will. I am going to sing for you, a little off key perhaps, but I will sing.
    Henry Miller (1891–1980)

    It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times—the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie—seem attractive by comparison.
    Christopher Lasch (b. 1932)