Production
Writer Edmund H. North worked closely with Forester's work, compressing events and time lines in order to make the plot taut. Along with the director, the decision was made to use a documentary-style technique, switching back-and-forth from a fairly insular war room to action taking place on remote battleships. The action is made more realistic when human elements of men in a game of wits and nerves is involved. The use of Edward R. Murrow reprising his wartime broadcasts from London, also lends an air of authenticity and near-documentary feel. The film credits identify the actual Director of Operations as Capt R.A.B. Edwards and "Capt Shepard" as fictional. The Shepard-Davis interplay added human interest to the storyline.
In a similar manner, the battle between British and German forces is also recreated as a human drama, with Admiral Lütjens pitted against Capt Shepard in a "psychological chess match."
Read more about this topic: Sink The Bismarck!
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)