Criticism
Singapore Idol has been criticized for a lack of talented contestants, the most prominent of which being Joakim Gomez in Season 2, who was dubbed the Sanjaya Malakar of Singapore for remaining in the live shows over an extended period of time even after consistent criticism from the judges. The third season of Singapore Idol was particularly noted for an insupportable budget. Live performances relied solely on solo performances by the contestants, without any performance choreography, backup dancers, pyrotechnics or other spectacular theatrical effects.
The show has also produced a low number of recording artistes, as well as artistes that have little influence over Singaporean pop culture, largely due to the predominance of American pop music and K-Pop.
Read more about this topic: Singapore Idol
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“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
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