Simon Wiesenthal - Criticism

Criticism

British author Guy Walters has characterized Wiesenthal as "a liar" and wrote that Wiesenthal would "concoct outrageous stories about his war years and make false claims about his academic career. There are so many inconsistencies between his three main memoirs and between those memoirs and contemporaneous documents that it is impossible to establish a reliable narrative from them. Wiesenthal’s scant regard for the truth makes it possible to doubt everything he ever wrote or said."

Walters went on to say, "His figure is a complex and important one. If there was a motive for his duplicity, it may well have been rooted in good intentions." and "It is partly thanks to Wiesenthal that the Holocaust has been remembered and properly recorded and this is perhaps his greatest legacy."

Daniel Finkelstein has described Walters' research as "impeccable" and reported that the Wiener Library supports his re-evaluation of Wiesenthal. The Library's director Ben Barkow stated that "accepting that Wiesenthal was a showman and a braggart and, yes, even a liar, can live alongside acknowledging the contribution he made".

Although Wiesenthal later claimed to have been in 13 concentration camps, including five death camps, he had in fact been in no more than six camps.

Read more about this topic:  Simon Wiesenthal

Famous quotes containing the word criticism:

    Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.
    Henry David Thoreau (1817–1862)

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)

    The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.
    Walter Benjamin (1892–1940)