Simon Russell Beale - Selected Theatre

Selected Theatre

  • Konstantin, The Seagull, Royal Shakespeare Company, Royal Shakespeare Theatre, Stratford-upon-Avon, England, 1991
  • Ariel, The Tempest, Stratford, England, 1994
  • The Duchess of Malfi, Greenwich and West End, 1995
  • Mosca, Volpone, Royal National Theatre, London, 1995
  • Rosencrantz and Guildenstern Are Dead, Royal National Theatre, 1996
  • Iago, Othello, Royal National Theatre, 1997–1998
  • Alfred Evelyn, Money, Royal National Theatre, 1999
  • Battle Royal, Royal National Theatre, 1999–2000
  • Title role, Hamlet, Brooklyn Academy of Music, New York City, 2001
  • Humble Boy, Royal National Theatre, 2001
  • Title role, Uncle Vanya, Donmar Warehouse, London, 2002, then Brooklyn Academy of Music, 2003
  • Malvolio, Twelfth Night, Donmar Warehouse, 2002
  • Sir Harcourt Courtly, London Assurance at the Royal National Theatre, 2010
  • Joseph Stalin in Collaborators at the Royal National Theatre, 2011
  • Timon of Athens in Timon of Athens at the Royal National Theatre, 2012
  • Captain Terri Dennis in Privates on Parade at the Noel Coward Theatre, 2012-13
  • Also appeared as Sir Politic Wouldbe, Volpone; title role, Richard III; and in The Man of Mode; Troilus and Cressida; Die Hose, Traverse Theatre; The Death of Elias Sawney, Traverse Theatre; Sandro Manon, Traverse Theatre; Look to the Rainbow, Apollo Theatre; Women Beware Women, Royal Court Theatre; A Winter's Tale; Everyman in His Humour; The Art of Success; The Fair Maid of the West; Speculators; The Storm; The Constant Couple; Restoration; Some Americans Abroad; Mary and Lizzie; Playing with Trains; Edward II; Love's Labour's Lost; King Lear; Ghosts; Candide; Summerfolk.

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Famous quotes containing the words selected and/or theatre:

    “The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
    —Walter Bagehot (1826–1877)

    “Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
    —Dame Alice Markova (b. 1910)