Simon Furman - Career

Career

Furman invented an origin story for the Transformers that involved an ancient struggle between the colossal godlike creator, Primus, and his counterpart, the colossal godlike destroyer, Unicron. The latter was borrowed from the Transformers movie, where he appeared with no given backstory (an origin for Unicron later came in the third season of the original Transformers cartoon series). According to Furman's origin story, The Transformers were a creation of Primus as a warrior race who were to be the last line of defense against Unicron. This origin differs from the third season of the cartoon series, where the Transformers were originally created to be robot servants of the alien Quintessons, who often sold them to other races.

Aside from the creation myth, mythological underpinnings can be found in several of his stories such as the Matrix Quest storyline, where the Autobots and Decepticons search for the Creation Matrix, a powerful object constructed by Primus.

Furman's Transformers: Generation 2 plot-line in 1993 introduced the characters Jhiaxus and Liege Maximo, one of the first Transformers. Liege Maximo had killed the first Prime in order to steal the Matrix and claimed that the Decepticons descended from him. Since Transformers Generation 2 was canceled after 12 issues, the Liege Maximo storyline was concluded in the convention exclusive novella Alignment.

Over ten years later, Furman was brought in by the now-defunct independent comics publisher Dreamwave to write some of its Transformers comics, including "The War Within", a six issue prequel set on Cybertron before the Autobots and Decepticons took their battle to Earth. It spawned two sequels - "TWW: The Dark Ages" and "TWW: The Age Of Wrath" (uncompleted). His work on the Armada and Energon titles were also received better than the anime series from which they were based on. Furman was to have continued on with Dreamwave, but its contentious closure resulted in the premature end of the Energon and The War Within titles.

Furman's convention exclusive novella/comic serial, The Omega Point, includes an apocalyptic End of Days scenario for the Transformers, and a quest by one of the heroes to ask for help in the land of the dead.

Simon Furman still collaborates with regular Marvel UK Transformers artist, Andrew Wildman, as WildFur Productions. Their most recent collaboration was on the Macromedia Flash online, interactive comic The Engine: Industrial Strength, which they produced with UK New Media expert Adam Jennings.

Away from Transformers, Furman wrote a Doctor Who audio adventure for Big Finish. The Axis of Insanity features the Fifth Doctor, and was published in 2004. He also contributed a number of stories starring Judge Dredd to the DC title Judge Dredd: Lawman of the Future, as well as one-off stories to Dredd's home title 2000 AD.

Furman is currently writing a new continuity of "Generation 1" Transformers comic books for IDW Publishing. Furman likes to tell his stories realistically with maps helping out his locations. Furman often focuses his stories on responsibility. He also wrote a Maximum Dinobots mini-series in 2008.

Furman is also widely known as the co-creator and chief writer of Death's Head. Originally created as a "throwaway character" for use in the UK Transformers series, the character instead received his own series of stories in various comics, becoming a staple of Marvel UK comics in the 1980s and early 1990s.

Furman's other work at Marvel Comics includes a 2-year run on original Alpha Flight comic book series (where he served as the final writer on the series), a concurrent Northstar mini-series featuring the Alpha Flight team member, a run on Marvel's RoboCop ongoing series in 1991, and the 2006 Annihilation: Ronan mini-series which tied into the Annihilation crossover. In 2006, he returned to writing Death's Head, after a Marvel.com poll contest helped revive the character (now branded Death's Head 3.0) and was thus given a 5-issue storyarc in the Amazing Fantasy anthology series.

In June 2007, he began writing Terminator 2: Infinity, based on Dynamite Entertainment's Terminator 2 license; he produced a sequel, Terminator: Revolution. In the United Kingdom, he did original strips for the first two volumes of Titan Magazines' Transformers Comic UK title, as well as contributing to the strips for Titan's Torchwood magazine.

On April 9, 2011 Furman was one of 62 comics creators who appeared at the IGN stage at the Kapow! convention in London to set two Guinness World Records, the Fastest Production of a Comic Book, and Most Contributors to a Comic Book. With Guinness officials on hand to monitor their progress, writer Mark Millar began work at 9am scripting a 20-page black and white Superior comic book, with Furman and the other artists appearing on stage throughout the day to work on the pencils, inks, and lettering, including Dave Gibbons, Frank Quitely, John Romita Jr., Jock, Doug Braithwaite, Ian Churchill, Olivier Coipel, Duncan Fegredo, David Lafuente, John McCrea, Sean Phillips and Liam Sharp, who all drew a panel each, with regular Superior artist Leinil Yu creating the book's front cover. The book was completed in 11 hours, 19 minutes, and 38 seconds, and was published through Icon on November 23, 2011, with all royalties being donated to Yorkhill Children's Foundation.

Read more about this topic:  Simon Furman

Famous quotes containing the word career:

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.
    Robert Benchley (1889–1945)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)