Sources
- Avila, Jacqueline A. 2007."The Influence of the Cinematic in the Music of Silvestre Revueltas". DMA thesis. University of California (Riverside).
- Barnard Baca, Roberto. 2008. "The String Quartets of Silvestre Revueltas." DMA diss. New York: CUNY GC.
- Barnard Baca, Roberto. 2008. "Análisis de transformaciones en el cuarteto núm. 1 de Revueltas". Artículo. Guadalajara, MX
- Contreras Soto, Eduardo. 2000. Silvestre Revueltas: baile, duelo y son. Teoría y práctica del arte : Consejo Nacional para la Cultura y las Artes, Dirección General de Publicaciones, Instituto Nacional de Bellas Artes. ISBN 970-18-3762-2
- Dean, Jack Lee. 1992. "Silvestre Revueltas: A Discussion of the Background and Influences Affecting His Compositional Style". Ph.D thesis. University of Texas at Austin.
- Espinosa, Sergio. 2001. "Silvestre Revuelta's Film for Redes". Ph.D. diss. University of Iowa.
- Garland, Peter. 1991. In Search of Silvestre Revueltas. Essays 1978–1990. Soundings Press.
- Hernández, Juan de Dios. 2009. "Nationalism and Musical Architecture in the Symphonic Music of Silvestre Revueltas". DMA diss. Tucson: University of Arizona.
- Hoag, Charles K. 1987. "Sensemayá: A Chant for Killing a Snake." Latin American Music Review / Revista de Música Latinoamericana 8, no. 2 (Autumn): 172–84.
- Hyslop, ,J. R. 1982. "An Analysis of Silvestre Revueltas's Sensemayá". DMA thesis. Bloomington: University of Indiana.
- Kaufman, Christopher. 1991. "Sensemayá: The Layer Procedures of Silvestre Revueltas". DMA thesis. Ithaca, New York: Cornell University.
- Kolb Neuhaus, Roberto. 2007. "El vanguardismo de Silvestre Revueltas:una perspectiva semiótica." Ph.D. diss. Facultad de Filosofía y Letras, Universidad Nacional Autónoma de México (UNAM)
- Kolb Neuhaus, Roberto. 1998. Silvestre Revueltas. Catálogo de sus obras. Coyoacán, D.F.: Universidad Nacional Autónoma de México, Escuela Nacional de Música. ISBN 968-36-6909-3
- Kolb Neuhaus, Roberto, and José Wolffer (eds.). 2007. Silvestre Revueltas: sonidos en rebelión. México: UNAM, Escuela Nacional de Música. ISBN 970-32-3172-1
- Leclair, Charmaine Francoise. 1995. "The Solo and Chamber Music of Silvestre Revueltas." Ph.D. diss. Eugene: University of Oregon.
- Mayer-Serra, Otto. 1941. "Silvestre Revueltas and Musical Nationalism in Mexico." Musical Quarterly 27:123–45.
- Moreno Rivas, Yolanda. 1995. Rostros del Nacionalismo en la música mexicana: un ensayo de interpretación, 2nd edition. : Universidad Nacional Autónoma de México, Escuela Nacional de Música. ISBN 968-36-4556-9
- Palencia Alonso, Héctor. 2000. "Voces magistrales: Silvestre Revueltas". In Conservatorianos: Revista de información, reflexión y divulgación culturales 6 (November–December): 25–29.
- Porrit, Peter. 1983. "Nationalism in Twentieth Century Mexican Music". DMA thesis. Berkeley: University of California.
- Revueltas, Silvestre. 1989. Silvestre Revueltas por él mismo: apuntes autobiográficos, diarios, correspondencia y otros escritos de un gran músico, compiled by Rosaura Revueltas. México, D.F.: Ediciones Era. ISBN 968-411-287-4
- Sanchez-Gutierrez, Carlos Daniel. 1996. ¨The Cooked and the Raw: Syncretism in the Music of Silvestre Revueltas". Ph.D. thesis. Princeton: Princeton University.
- Velazco, Jorge. 1986. "The Original Version of Janitzio, by Silvestre Revueltas." Latin American Music Review / Revista de Música Latinoamericana 7, no. 2 (Autumn): 341–46.
- Vondrak, Antonia. 2000. "Silvestre Revueltas (1899–1940)". DMA thesis. University of Vienna.
- Wilson-Spinalle, Katheleen L. 1983. "Selected Solo Songs of Carlos Chávez and Silvestre Revueltas. DMA thesis. University of Arizona.
- Zohn-Muldoon, Ricardo. 1998. "The Song of the Snake: Silvestre Revueltas' Sensemayá." Latin American Music Review / Revista de Música Latinoamericana 19, no. 2 (Autumn): 133–59.
Read more about this topic: Silvestre Revueltas
Famous quotes containing the word sources:
“My profession brought me in contact with various minds. Earnest, serious discussion on the condition of woman enlivened my business room; failures of banks, no dividends from railroads, defalcations of all kinds, public and private, widows and orphans and unmarried women beggared by the dishonesty, or the mismanagement of men, were fruitful sources of conversation; confidence in man as a protector was evidently losing ground, and women were beginning to see that they must protect themselves.”
—Harriot K. Hunt (18051875)
“On board ship there are many sources of joy of which the land knows nothing. You may flirt and dance at sixty; and if you are awkward in the turn of a valse, you may put it down to the motion of the ship. You need wear no gloves, and may drink your soda-and-brandy without being ashamed of it.”
—Anthony Trollope (18151882)
“Even healthy families need outside sources of moral guidance to keep those tensions from implodingand this means, among other things, a public philosophy of gender equality and concern for child welfare. When instead the larger culture aggrandizes wife beaters, degrades women or nods approvingly at child slappers, the family gets a little more dangerous for everyone, and so, inevitably, does the larger world.”
—Barbara Ehrenreich (20th century)