First published November 1994, The Babe Wore Red and Other Stories is a publication of short stories:
- And Behind Door Number Three... (4 pages long)
- The Customer Is Always Right (3 pages long)
- The Babe Wore Red (23 pages long) It reprints a serial run in Previews.
And Behind Door Number Three... is a short story about Gail and Wendy (who's now wearing Marv's necklace) setting a trap for a man they suspect is 'carving up' girls in Old Town.
The enigmatic "Cowboy" is captured by the allure of Wendy and subsequently shot and tied up by Gail. Although the Cowboy is willing to confess to the cops, the girls have other plans and invite Miho to finish the job.
The Customer Is Always Right short served as the opening sequence for the movie Sin City, which featured Josh Hartnett and Marley Shelton. The sequence served as the original proof of concept footage that director Robert Rodriguez filmed to convince Frank Miller to allow him to adapt Sin City to the silver screen.
The story involves an enigmatic tryst between two nameless characters; "The Customer" and "The Salesman." They meet on the terrace of a high rise building, hinting that although they seem to be acting like strangers, they do indeed have some sort of past. It is unclear what their past involves even as they embrace in a passionate kiss.
A silenced gunshot stabs the night air to reveal that The Salesman has shot The Customer. The reader is led to believe that The Customer had fallen into a serious and difficult situation and, with no other feasible alternative, hired The Salesman to kill her. Later information given by Frank Miller on the commentary of the Recut & Extended DVD Edition states that The Customer had an affair with a member of the mafia, and when she found out tried to break it off with him. The mafia member then swore to her that she would die in the most terrible way possible, and when it is least expected. The Customer, having connections, hires The Salesman (who is referred to as "The Lady-Killer") to kill her. In the comic The Salesman is the Colonel, as Miller has verified in the BLAM! section page 29 of the one-shot issue "Sex & Violence."
The Babe Wore Red centers around the character of Dwight and the murder of his friend Fargo. Dwight stumbles upon the hanging corpse of Fargo in his apartment and encounters Mr Shlubb, half of the recurring supporting duo, Douglas Klump and Burt Shlubb (aka Fat Man and Little Boy).
He knocks out Shlubb and finds the titular character hiding in the shower. Under a barrage of sniper shots from Douglas Klump, Dwight and the Babe reach their car and speed off. Although they successfully elude the pair, Dwight refuses to let them off easy, choosing rather to head to The Farm to deal with them. In the meantime, the Babe introduces herself as a hooker named Mary, but Dwight can tell she's lying. He duels with both of them again and due to insistence from Mary decides to shoot them in the leg instead of killing them. He eventually receives a package from Fargo who had shipped it off before his untimely demise. Dwight reads up on the whole situation and realizes that Fargo was simply the scapegoat for illegal drug-related activities and had paid the ultimate price. He also receives a package from Mary. She was not a hooker, rather a nun that had flirted with temptation before ultimately deciding to dedicate her life to God.
The time frame for the story is given as during the time Marv spent on death row in "The Hard Goodbye", as noted when Dwight mentions that he had a friend on death row because of what happened at the Roark family farm.
Read more about this topic: Silent Night (Sin City Yarn)
Famous quotes containing the words babe, wore, red and/or stories:
“An when the earths as caulds the mune
An a its folk are lang syne deid,
On coontless stars the Babe maun cry
An the Crucified maun bleed.”
—Hugh MacDiarmid (18921978)
“Almost everybody wore a curious limpidity of expression, like newborn babies or souls just after death. Dazed but curiously dignified.... after a crise ... of hysterical revulsion and tiredness, I passed beyond ... and became entered by a rather sublime feeling.”
—Elizabeth Bowen (18991973)
“Oh we drunk his Hale in the good red wine
When we last made company,
No capon priest was the Goodly Fere
But a man o men was he.”
—Ezra Pound (18851972)
“Kids are fascinated by stories about what they were like when they were babies and what they said and did as they grew. This sense of history and connectedness increases your childrens feelings of security and safety, and helps them build the ability to make healthy connections in the world at large.”
—Stephanie Martson (20th century)