Top Grossing Silent Films in The United States
The following are the silent films from the silent film era that earned the highest gross income in film history. The dollar amounts are not adjusted for inflation.
- The Birth of a Nation (1915) - $10,000,000
- The Big Parade (1925) - $6,400,000
- Ben-Hur (1925) - $5,500,000
- Way Down East (1920) - $5,000,000
- The Gold Rush (1925) - $4,250,000
- The Four Horsemen of the Apocalypse (1921) - $4,000,000
- The Circus (1928) - $3,800,000
- The Covered Wagon (1923) - $3,800,000
- The Hunchback of Notre Dame (1923) - $3,500,000
- The Ten Commandments (1923) - $3,400,000
- Orphans of the Storm (1921) - $3,000,000
- For Heaven's Sake (1926) - $2,600,000
- Seventh Heaven (1926) - $2,400,000
- Abie's Irish Rose (1928) - $1,500,000
Read more about this topic: Silent Film
Famous quotes containing the words united states, top, silent, films, united and/or states:
“The United States must be neutral in fact as well as in name.... We must be impartial in thought as well as in action ... a nation that neither sits in judgment upon others nor is disturbed in her own counsels and which keeps herself fit and free to do what is honest and disinterested and truly serviceable for the peace of the world.”
—Woodrow Wilson (18561924)
“From top to bottom of the ladder, greed is aroused without knowing where to find ultimate foothold. Nothing can calm it, since its goal is far beyond all it can attain. Reality seems valueless by comparison with the dreams of fevered imaginations; reality is therefore abandoned.”
—Emile Durkheim (18581917)
“I want to celebrate these elms which have been spared by the plague, these survivors of a once flourishing tribe commemorated by all the Elm Streets in America. But to celebrate them is to be silent about the people who sit and sleep underneath them, the homeless poor who are hauled away by the city like trash, except it has no place to dump them. To speak of one thing is to suppress another.”
—Lisel Mueller (b. 1924)
“Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”
—Susan Sontag (b. 1933)
“The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didnt need that black woman right against him, shoulder to shoulderin that cotton field, on the auction block, in the ghetto, wherever.”
—Maya Angelou (b. 1928)
“A little group of wilful men reflecting no opinion but their own have rendered the great Government of the United States helpless and contemptible.”
—Woodrow Wilson (18561924)