Sila Nerangalil Sila Manithargal - Plot

Plot

Ganga, a college student from an 'orthodox' Tamil Brahmin family, has a sexual encounter with a stranger who offers her lift on a rainy day. Ganga is uncertain about her participation in the event. She, overcome by guilt and self-loathing, construes the event as rape. Her disillusioned face forces out a 'confession' to her mother about what happened earlier. Overhearing this, Ganga's brother, who's the 'bread' winner of the family, disowns and evicts her from the house (in Sri Rangam). She then moves in with her uncle—mother's elder brother in Madras—who assures full support in continuing her education. After successful graduation she gets employed in a private firm and grows to take the top managerial position. Ganga until then lives a single life resisting the pressure to lie about the 'incident' (which, presumably, would ruin her life with another man). Her assumed status as a 'spoilt' woman also implicitly encourages her lecherous uncle to make sexual advances.

It is during this time she chances up on the 'stranger', Prabhu. She musters up the courage to introduce herself as who 'she really is' and get Prabhu to discuss about 'that' fateful evening. She then realizes that she probably showed as much interest in the sex as did Prabhu. The revelation brings Ganga closer to Prabhu as friends. They find their characteristics agreeable and the friendship matures into love. But unable to transcend the society's norms, Prabhu advices her to get married to someone else. When all attempts to convince Prabhu fails, Ganga is forced to part ways with him. The film ends with a note appreciation for her 'purity' and self-induced monogamous relationship with Prabhu.

Read more about this topic:  Sila Nerangalil Sila Manithargal

Famous quotes containing the word plot:

    There saw I how the secret felon wrought,
    And treason labouring in the traitor’s thought,
    And midwife Time the ripened plot to murder brought.
    Geoffrey Chaucer (1340?–1400)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)

    If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.
    John Ashbery (b. 1927)