Differences Between Complete and Edited Versions
There are several differences between the full-length roadshow version of the film and the edited general release version.
- One that is immediately noticeable is that there is actually a snippet from Joan's trial during the opening narration in the edited version, whereas in the full-length version, the events of Joan's life are shown in chronological order. The narration is more detailed in the edited version than in the complete version, with much of it used to cover the breaks in continuity caused by the severe editing.
- The edited version omits crucial scenes that are important to a psychological understanding of the narrative, such as the mention of a dream that Joan's father has which foretells of Joan's campaign against the English. When Joan hears of the dream, she becomes convinced that she has been divinely ordered to drive the English out of France.
- Most of the first ten minutes of the film, a section showing Joan praying in the Domrémy shrine, followed by a family dinner and conversation which leads to the mention of the dream, are not in the edited version.
- In the complete 145-minute version, the narration is heard only at the beginning of the film, and there are no sudden breaks in continuity.
- Entire characters, such as Joan's father (played by Robert Barrat) and Father Pasquerel (played by Hurd Hatfield) are partially or totally omitted from the edited version.
- Even the opening credits are somewhat different, and run about two minutes longer. In the edited version, the story begins after Victor Fleming's director's credit, while in the full-length version, after the director's credit, a title card saying "The Players" appears onscreen, after which all the major lead and supporting actors, as well as the characters that they play, are listed in order of appearance and in groups (e.g., "At Domrémy", "At Chinon", etc.), much as in Fleming's other lengthy film epic Gone with the Wind. More than thirty of the actors are listed.
The edited version might be considered more cinematic through its use of maps and voice-over narration to explain the political situation in France. (In the full-length version, Joan's family discusses the political situation during dinner.) The full-length version, although not presented as a play-within-a-play, as the stage version was, nevertheless resembles a stage-to-film adaptation, makes great use of Maxwell Anderson's original dialogue, and may seem, to some, stagy in its method of presentation, despite having a realistic depiction of the Siege of Orléans.
Read more about this topic: Sierra Pictures, Versions
Famous quotes containing the words differences between, differences, complete, edited and/or versions:
“What strikes many twin researchers now is not how much identical twins are alike, but rather how different they are, given the same genetic makeup....Multiples don’t walk around in lockstep, talking in unison, thinking identical thoughts. The bond for normal twins, whether they are identical or fraternal, is based on how they, as individuals who are keenly aware of the differences between them, learn to relate to one another.”
—Pamela Patrick Novotny (20th century)
“The mother must teach her son how to respect and follow the rules. She must teach him how to compete successfully with the other boys. And she must teach him how to find a woman to take care of him and finish the job she began of training him how to live in a family. But no matter how good a job a woman does in teaching a boy how to be a man, he knows that she is not the real thing, and so he tends to exaggerate the differences between men and women that she embodies.”
—Frank Pittman (20th century)
“Your views are now my own.”
—Marvin Cohen, U.S. author and humorist.
In conversation, after having taken a strong position in an argument and heard a complete refutation of his position.
“He was high and mighty. But the kindest creature to his slaves—and the unfortunate results of his bad ways were not sold, had not to jump over ice blocks. They were kept in full view and provided for handsomely in his will. His wife and daughters in the might of their purity and innocence are supposed never to dream of what is as plain before their eyes as the sunlight, and they play their parts of unsuspecting angels to the letter.”
—Anonymous Antebellum Confederate Women. Previously quoted by Mary Boykin Chesnut in Mary Chesnut’s Civil War, edited by C. Vann Woodward (1981)
“The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.”
—Stephen Bayley (b. 1951)