Novels
Levett-Yeats set his boisterous novels in wildly different locales, and his novels struck a chord with an English audience enamoured of historical romance. The genre was so popular that it was known as the 'cloak and sword school.' The Lord Protector, for instance, set in the days of the English Commonwealth under Oliver Cromwell, describes the hunting down of an ardent Royalist. A Galahad of the Creeks was set during the Burmese wars. The Chevalier d'Auriac concerned Henry of Navarre. Other tales were set in swashbuckling Europe. Orrain: A Romance, published by Methuen in London and by Longmans in the United States, told a tale of King Henry II of France and his wife Catherine de Medici. The Chevalier d'Auriac was serialized in Longman's Magazine in 1897.
Levett's best-known book was The Honour of Savelli, a tale of treachery and intrigue set during the era of the Borgias in medieval Italy. The work, noted a review in the magazine Book Reviews, captured Levett's strong suit: his storytelling ability. "The freedom and dash of his recital, and the general ability shown in the handling of his characters and in the quality of his style are his strongest credentials," noted the review.
Read more about this topic: Sidney Kilner Levett-Yeats
Famous quotes containing the word novels:
“Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.”
—George Orwell (1903–1950)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.”
—Annie Dillard (b. 1945)