Sicilian School - The Work of A Roving School

The Work of A Roving School

"It is lyric poetry to be in the forefront of literature, inspiring a widespread enthusiasm whose effects will be felt for centuries. The initial boost given by the Sicilian poets from the Svevs' court, the first to use a standardised vernacular to make art poetry will be passed on to many others: and all of them, not just the pedantic imitators of the Siculo-Tuscan school (such as Bonagiunta Orbicciani) but also Guinizzelli, the poets of Dolce Stil Novo and more widely all writers of verse, will have to deal, though by different degrees, with the Sicilian models, so that some peculiarities will be assimilated into standard usage of Italian poetry." (Bruno Migliorini, Storia della letteratura italiana)

Though yet confined to a few notaries and dignitaries of the emperors, such poetry shows for the first time uniform linguistic traits and a richness in vocabulary far exceeding that of the Sicilian dialect(s) by which it was inspired. The Magna curia was not based in any given city, but always moving across Southern Italy, a fact which helped the school avoid the temptation of choosing any local dialect as the starting point for their new language. That is why the new standard turned up to be a koinè, a melting pot of many different vernaculars.

The reason for moving from city to city was mainly political. Although his experiment was short-lived, Frederic successfully created the first modern state in Europe, run by an efficient bureaucracy: its members were neither appointed from the aristocracy nor the clergy with good reason, since the former were far more interested in defending their own privileges than the welfare of the country and often plotted against him in the hope of regaining their power, while the latter were basically faithful to the Pope, his biggest enemy.

Frederic was in fact dismantling the feudal system of government inherited from the Normans, his magna curia and minor dignitaries were usually chosen from lay orders (like his poet-notaries). He also abolished internal barriers: free trade brought prosperity to the South, making Bari (as witnessed by Cielo in his Contrasto) one of the richest cities in the Mediterranean. But, keeping this modern state afloat, meant that his barons had no power to collect taxes, their greatest source of revenues. Hence the necessity for Frederick to bring law and order by moving his court to and through.