Career
Blanc studied dramatic arts at the Ecole Supérieure d'Art Dramatique (ESAD) in Geneva graduating in 1996. Early in her professional career she appeared on several children's TV programs produced by the TSR including Smash and Bus et compagnie. Her first major role came with the TSR produced sitcom (French)Bigoudi where she played Laura for 50 episodes from 1996 to 1998.
She has a tremendous ability to play a diverse range of roles which was brought out in her portrayal of the various female characters in Matt Cameron's play Ruby Moon and in the numerous comedy cabaret shows (La Revue 2000, Les nouvelles brèves de comptoir and La Revue de Cuche et Barbezat) which she has performed in. In the latter and in the musical Irma la Douce she was able to display her strong talent for singing and dancing. She has played numerous classical characters in plays by such authors as Shakespeare, Wilde, Miller, Beckett, Labiche and Pagnol as well as more modern roles in plays by authors such as Ruccello, Cameron and Dear. Blanc is fluent in both English and French and has even played an American in Hazanov's film Salade(s) Russe(s).
The following information has been compiled from Blanc's agent's website, the Swiss French actor's website Comedien.ch, the International Movie Database. and from the Swiss Films website.
Read more about this topic: Sibylle Blanc
Famous quotes containing the word career:
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)