Shukriya: Till Death Do Us Apart - Plot

Plot

Thirty years ago Karam Jindal together with his widowed mom, Gayatri, and wife, Sandhya, had immigrated to London, England. Shortly thereafter Gayatri gets cancer and tragically passes away. Then, Sandhya gives birth to two daughters, Anjali and Sanam. The Jindals accumulate wealth, and are now one of the wealthiest families' in London. Anjali gets married to Akash, while Sanam is on the look-out for her beau. With Karam's 60th birthday coming up, Anjali is busy with preparations for a grand party, while Sanam has already started with her make-up. Karam hopes to get Sanam married to Yash, his employee, who is like a son to him. Add to that is the inauguration of the "Gayatri Jindal Cancer Hospital" which is to be done on the same day.

With the preparations under way, Karam brings home a young man, Rohan "Ricky" Verma, to live with them for a few days. Sanam has already met him and is quite friendly with him. She confides in her mom that she would like to marry Rohan, and her mom indicates that she approves of him. They get a shock when Karam vehemently opposes any alliance with Rohan, and refuses to divulge the reason(s). For it is only Karam who knows that Rohan is not who he claims to be - for he is Death himself - accompanying Karam during his last four days on Earth.

Read more about this topic:  Shukriya: Till Death Do Us Apart

Famous quotes containing the word plot:

    There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.
    Ralph Waldo Emerson (1803–1882)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)

    “The plot thickens,” he said, as I entered.
    Sir Arthur Conan Doyle (1859–1930)