Early Life and Career
Shola Ama was born in Paddington, London, England, of a white father (Scottish and Irish) and St Lucian mother. She attended Quintin Kynaston School in the early 1990s. At 15 she was singing to herself on a platform at Hammersmith tube station, and was overheard by Kwame Kwaten, a producer at the FreakStreet record label. In 1995 an unknown independent label released a single titled "Celebrate", which was a ballad produced by D'Influence. Although the single was not a commercial success, it did draw attention to Shola Ama as an artist. On her 16th birthday she signed a recording contract with WEA.
The single "You're The One I Love" was her first single release for WEA in 1996, although it barely made an impact on the charts, only managing to reach #85. Her second WEA single "You Might Need Somebody" remains her biggest hit. This Randy Crawford cover reached #4 in the UK Singles Chart. It remained in the top 40 for almost two months, becoming one of 1997's biggest hits. A re-release of "You're The One I Love" followed and reached #3. At the age of 18, Shola Ama released her debut album Much Love (1997).
On the success of the album Shola Ama won a Brit Award for Best British Female and two MOBO Awards for Best Newcomer and Best R&B Act.
Read more about this topic: Shola Ama
Famous quotes containing the words early life, early, life and/or career:
“... goodness is of a modest nature, easily discouraged, and when much elbowed in early life by unabashed vices, is apt to retire into extreme privacy, so that it is more easily believed in by those who construct a selfish old gentleman theoretically, than by those who form the narrower judgments based on his personal acquaintance.”
—George Eliot [Mary Ann (or Marian)
“... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.”
—Hortense Odlum (1892?)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“Clearly, society has a tremendous stake in insisting on a womans natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)