Early Life and Career
Shola Ama was born in Paddington, London, England, of a white father (Scottish and Irish) and St Lucian mother. She attended Quintin Kynaston School in the early 1990s. At 15 she was singing to herself on a platform at Hammersmith tube station, and was overheard by Kwame Kwaten, a producer at the FreakStreet record label. In 1995 an unknown independent label released a single titled "Celebrate", which was a ballad produced by D'Influence. Although the single was not a commercial success, it did draw attention to Shola Ama as an artist. On her 16th birthday she signed a recording contract with WEA.
The single "You're The One I Love" was her first single release for WEA in 1996, although it barely made an impact on the charts, only managing to reach #85. Her second WEA single "You Might Need Somebody" remains her biggest hit. This Randy Crawford cover reached #4 in the UK Singles Chart. It remained in the top 40 for almost two months, becoming one of 1997's biggest hits. A re-release of "You're The One I Love" followed and reached #3. At the age of 18, Shola Ama released her debut album Much Love (1997).
On the success of the album Shola Ama won a Brit Award for Best British Female and two MOBO Awards for Best Newcomer and Best R&B Act.
Read more about this topic: Shola Ama
Famous quotes containing the words early, life and/or career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“... the hey-day of a woman’s life is on the shady side of fifty, when the vital forces heretofore expended in other ways are garnered in the brain, when their thoughts and sentiments flow out in broader channels, when philanthropy takes the place of family selfishness, and when from the depths of poverty and suffering the wail of humanity grows as pathetic to their ears as once was the cry of their own children.”
—Elizabeth Cady Stanton (1815–1902)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)