Colors
Throughout the years, Shock Wave has undergone several re-paintings with different color schemes. When it first opened, the attraction's track and supports were all-white. The solid white color lasted only two years as it quickly became dirty. The second color scheme, introduced in 1980, featured dark blue track and supports. Since then, the ride has been repainted light blue, then silver with navy blue supports. During Time-Warner's ownership of the park the ride was painted with white track, yellow supports and pink loops. The operators jokingly referred to the ride as "fruit loops." The seventh color scheme of blue track with red supports came about in 1996. 2001 marked the 40th anniversary of the park, and Shock Wave once again was given a new coat of paint — this time royal blue supports with a bright green track. That paint job remained on the coaster until 2012, when Shock Wave was finally given a much-needed new coat of paint. SImilar to the previous color scheme, the present colors are royal blue supports, with a slightly brighter shade of green track.
Read more about this topic: Shock Wave (Six Flags Over Texas)
Famous quotes containing the word colors:
“One wonders that the tithing-men and fathers of the town are not out to see what the trees mean by their high colors and exuberance of spirits, fearing that some mischief is brewing. I do not see what the Puritans did at this season, when the maples blaze out in scarlet. They certainly could not have worshiped in groves then. Perhaps that is what they built meeting-houses and fenced them round with horse-sheds for.”
—Henry David Thoreau (1817–1862)
“Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.”
—Claude Monet (1840–1926)
“The butterfly’s attractiveness derives not only from colors and symmetry: deeper motives contribute to it. We would not think them so beautiful if they did not fly, or if they flew straight and briskly like bees, or if they stung, or above all if they did not enact the perturbing mystery of metamorphosis: the latter assumes in our eyes the value of a badly decoded message, a symbol, a sign.”
—Primo Levi (1919–1987)