Shrine Architectural Styles
Shrine buildings can have many different basic layouts, usually named either after a famous shrine's honden (e.g. hiyoshi-zukuri, named after Hiyoshi Taisha), or a structural characteristic (e.g. irimoya-zukuri, after the hip-and gable roof it adopts. The suffix -zukuri in this case means "structure".)
The honden's roof is always gabled, and some styles also have a veranda-like aisle called hisashi (a 1-ken wide corridor surrounding one or more sides of the core of a shrine or temple). Among the factors involved in the classification, important are the presence or absence of:
- hirairi or hirairi-zukuri (平入・平入造?) - a style of construction in which the building has its main entrance on the side which runs parallel to the roof's ridge (non gabled-side). The shinmei-zukuri, nagare-zukuri, hachiman-zukuri, and hie-zukuri belong to this type.
- tsumairi or tsumairi-zukuri (妻入・妻入造?) - a style of construction in which the building has its main entrance on the side which runs perpendicular to the roof's ridge (gabled side). The taisha-zukuri, sumiyoshi-zukuri, ōtori-zukuri and kasuga-zukuri belong to this type.
(The gallery at the end of this article contains examples of both styles.)
Proportions are also important. A building of a given style often must have certain proportions measured in ken (the distance between pillars, a quantity variable from one shrine to another or even within the same shrine).
The oldest styles are the tsumairi shinmei-zukuri, taisha-zukuri, and sumiyoshi-zukuri, believed to predate the arrival of Buddhism.
The two most common are the hirairi nagare-zukuri and the tsumairi kasuga-zukuri. Larger, more important shrines tend to have unique styles.
Read more about this topic: Shinto Shrines
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