Shinto Shrine - Arrival and Impact of Buddhism

Arrival and Impact of Buddhism

The arrival of Buddhism changed the situation, introducing to Japan the concept of the permanent shrine. A great number of Buddhist temples were built next to existing shrines in mixed complexes called jingū-ji (神宮寺, lit. shrine temple (more on the subject later)?) to help priesthood deal with local kami, making those shrines permanent. Some time in their evolution, the word Miya (宮?) meaning "palace" came into use, indicating that shrines had by then become the imposing structures of today.

Once the first permanent shrines were built, Shinto revealed a strong tendency to resist architectural change, a tendency which manifested itself in the so-called Shikinen sengū-sai (式年遷宮祭?), the tradition of rebuilding shrines faithfully at regular intervals adhering strictly to their original design. This custom is the reason ancient styles have been replicated through the centuries to the present day, remaining more or less intact. Ise Shrine, still rebuilt every 20 years, is its best extant example. The tradition of rebuilding shrines or temples is present in other religions, but in Shinto it has played a particularly significant role in preserving ancient architectural styles. Izumo Taisha, Sumiyoshi Taisha and Nishina Shinmei Shrine in fact represent each a different style whose origin is believed to predate Buddhism in Japan, a religion which arrived in Japan around the beginning of the sixth century. These three styles are known respectively as taisha-zukuri, sumiyoshi-zukuri and shinmei-zukuri (see description below).

Shrines weren't of course completely immune to change, and in fact show various influences, particularly that of Buddhism, a cultural import which provided much of Shinto architecture's vocabulary. The rōmon (楼門, tower gate?), the haiden, the kairō (回廊, corridor?), the tōrō, or stone lantern, and the komainu, or lion dogs, (see below for an explanation of these terms) are all elements borrowed from Buddhism.