Reception
| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | 79% |
| Review scores | |
| Source | Rating |
| AbsolutePunk.net | (96%) link |
| Allmusic | link |
| Alternative Press | link |
| The A.V. Club | (B+) link |
| Blender | link |
| Entertainment Weekly | (A-) link |
| Kerrang! | |
| Spin | link |
| Sputnikmusic | link |
| Rolling Stone | link |
In Defense of the Genre was well received by most critics, averaging a 79% on Metacritic. Entertainment Weekly gave the album an A-, noting that the album's "sonic twists almost always work". Alternative Press gave the album a 4.5/5 and stated that Max Bemis created an album musicians "more than twice his age could only hope to create." Blender, in a 4/5 review, called it a "mess" but an "exhilarating one."
In more mixed reviews, PopMatters noted that the wide variety of styles was a "gift and curse at the same time". Rolling Stone said "When Bemis is on... his songs are tuneful and invigorating."
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Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)