Reception
Sheva was met with a largely very positive critical reception, especially for a relative newcomer to the series, so far featured in only one major game. Already in 2007, UGO.com ranked Sheva as the seventh top "videogame hottie" of all time, declaring that "RE5 may not be out yet, but we've seen enough of Sheva to know that she's got some serious acrobatic chops to go with all the zombie-slaying she'll be dishing out next year." In 2009, GameDaily featured her in the Babe of the Week galleries "Girl Power", "Brunettes" (describing her as both gorgeous and tough), and "Babes We're Thankful For". In 2010, GamesRadar included her and Chris among the gaming's seven "most violent double acts", while AfterEllen ranked her as the 17th "hottest" female video game character. That same year, PlayStation: The Official Magazine stated that "Sheva isn't just beautiful, she's smart and tough" and her addition "is probably the highlight of the Resident Evil 5 experience", giving her the Outfit of the Year award for one of her alternate costumes. GamesRadar found her attire to be one of the most practical in the series, adding that "the absolute antithesis of vulnerable, Sheva is a walking fortress that is equal parts kick-ass and intimidating feminine sexuality." In 2012, Complex ranked her as the fourth best black character in video games, as well as the ninth "hottest" video game character overall.
However, IGN called Sheva a "walking bag of useless", stating their preference for the comeback of Rebecca Chambers, and "just dumb as a rock when it comes to fighting zombies", asking for more of Jill Valentine. Her AI was also lambasted by ScrewAttack, who contrasted her with Alyx Vance from Half-Life.
Read more about this topic: Sheva Alomar
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
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“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)