Shed Studios - More Studio Developments

More Studio Developments

In 1989, the company pulled out of the Gramma building and constructed 3 studios in the basement of 123 Robert Mugabe Way. A Fostex B16 half inch 16 track and A & H Saber mixer handled studio 1 band recordings, a C Lab Notator sequencing system with Soundscape SSHDR-1 harddisc recorder and A & H series 8 mixer handled the ad industry music in studio 2, and sponsored radio programmes were recorded by Cherry Productions in Studio 3, based on Revox recorders. During the move, Scobie pulled away to set up his own studio and Peters left for Germany. Two new shareholders came aboard in the shape of Benny Miller, Thomas Mapfumo's preferred engineer, and briefly, Peter vanDeventer.

This was really the golden age of the studios. Benny Miller did many band recordings in studio 1 including some classic Mapfumo tracks and Kelly Rusike, another outstanding bassist, became engineer in 1990, handling the regular record company band sessions. Roskilly composed, performed and engineered advertising jingle productions in studio 2, and Sally Donaldson and Hilton Mambo operated Studio 3 as Cherry Productions, doing their sponsored radio programmes. When Bud Cockcroft put up some money to develop studio one to a Fostex G16, Shed gained another shareholder and longtime director. This was the setup for the next 5 years.

Read more about this topic:  Shed Studios

Famous quotes containing the words studio and/or developments:

    Again and again, I struggled though the storm. Once I fainted—and it wasn’t in the script. I was hauled to the studio on a sled, thawed out with hot tea, and then brought back to the blizzard, where the others were waiting. We filmed all day and all night, stopping only to eat standing near a bonfire. We never went inside.... The blizzard never slackened.
    Lillian Gish (1896–1993)

    The developments in the North were those loosely embraced in the term modernization and included urbanization, industrialization, and mechanization. While those changes went forward apace, the antebellum South changed comparatively little, clinging to its rural, agricultural, labor-intensive economy and its traditional folk culture.
    C. Vann Woodward (b. 1908)