Criticism
Ellis, along with his program Man among Wolves, has been criticized by the International Wolf Center for its perceived sensationalism. Nancy Gibson, a wolf biologist who'd studied under L. David Mech, wrote the following in regards to Ellis's methods:
| “ | I have raised far more captive wolves than the "Man Among Wolves," Shaun Ellis... Rearing 10-day-old pups into adulthood takes a trained group of individuals, just like a pack. When humans take a break from the wolves, others need to be present for consistent care that includes feeding, immunizations and critical handling to limit time under the care of a veterinarian. Ellis did a disservice to the longtime experience of wolf caregivers, if, in fact, he was the sole caregiver, as implied. | ” |
Criticism was also leveled at his attempts to teach wolves how to howl and hunt, which Gibson asserted comes naturally to them. David Mech himself stated "Mr. Ellis is neither a scientist nor an expert on the natural behavior of wolves."
Read more about this topic: Shaun Ellis (wolf Researcher)
Famous quotes containing the word criticism:
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)