Criticism
Ellis, along with his program Man among Wolves, has been criticized by the International Wolf Center for its perceived sensationalism. Nancy Gibson, a wolf biologist who'd studied under L. David Mech, wrote the following in regards to Ellis's methods:
| “ | I have raised far more captive wolves than the "Man Among Wolves," Shaun Ellis... Rearing 10-day-old pups into adulthood takes a trained group of individuals, just like a pack. When humans take a break from the wolves, others need to be present for consistent care that includes feeding, immunizations and critical handling to limit time under the care of a veterinarian. Ellis did a disservice to the longtime experience of wolf caregivers, if, in fact, he was the sole caregiver, as implied. | ” |
Criticism was also leveled at his attempts to teach wolves how to howl and hunt, which Gibson asserted comes naturally to them. David Mech himself stated "Mr. Ellis is neither a scientist nor an expert on the natural behavior of wolves."
Read more about this topic: Shaun Ellis (wolf Researcher)
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?”
—Mary Barnett Gilson (1877–?)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)