Career
He had appeared in role of a deaf character in Gujarati version of popular play, All the Best, which did over 550 shows in three years.
He made his film debut in the 1999 art film, Godmother.
This was followed by Style (2001), produced by N Chandra. Style was followed with a sequel called Xcuse Me (2003), and other comedies like Shaadi No. 1 (2005).
In 2006 he starred in Rang De Basanti. Later that year he starred in the comedy film Golmaal. In 2007 he appeared in the films Life in a Metro, Dhol and Raqeeb. The following year saw him as the character Shyam in Hello, the film adaptation of Chetan Bhagat's novel One Night @ the Call Center. Joshi also played the male lead in the film Sorry Bhai! in 2008 and one of the three characters in the 2009 film, 3 Idiots, which was based on Chetan Bhagat's novel Five Point Someone.
In year 2009 he also hosted a game show at Real T.V. called PokerFace: Dil Sachcha Chehra Jhootha, which was based on a British game show called PokerFace. He is noted for his free & naturalistic style of acting. His performances are praised as being uninhibited & extremely heartfelt.
Read more about this topic: Sharman Joshi
Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)