Early Life
O'Neal was born in Newark, New Jersey. He remains estranged from his biological father, Joseph Toney of Newark. Toney, who was once an All-State guard in high school who was offered a basketball scholarship to play at Seton Hall, struggled with drug addiction and was, by 1973, imprisoned for drug possession when O'Neal was an infant. Upon his release, Toney did not resume a place in O'Neal's life and instead, agreed to relinquish his parental visitation rights to O'Neal's stepfather, Phillip A. Harrison, a career Army Reserve sergeant, and his mother, Lucille (née O'Neal). O'Neal and Toney have never spoken, and O'Neal has expressed no interest in establishing a relationship. On his 1994 rap album, Shaq Fu: The Return, O'Neal voiced his feelings of disdain for Toney in the song "Biological Didn't Bother", dismissing him with the line "Phil is my father."
O'Neal credits the Boys and Girls Club of America in his hometown of Newark, New Jersey, with giving him a safe place to play and keeping him off the streets. "It gave me something to do," he said. "I'd just go there to shoot. I didn't even play on a team." He led his Robert G. Cole High School team, from San Antonio, Texas, to a 68–1 record during his two years there and helped the team win the state championship during his senior year. His 791 rebounds during the 1989 season remains a state record for a player in any classification.
On January 31, 2012, O’Neal was honored as one of the 35 Greatest McDonald's All-Americans.
Read more about this topic: Shaquille O'Neal
Famous quotes containing the words early and/or life:
“Foolish prater, What dost thou
So early at my window do?
Cruel bird, thou’st ta’en away
A dream out of my arms to-day;
A dream that ne’er must equall’d be
By all that waking eyes may see.
Thou this damage to repair
Nothing half so sweet and fair,
Nothing half so good, canst bring,
Tho’ men say thou bring’st the Spring.”
—Abraham Cowley (1618–1667)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)