Shape (song) - Background and Composition

Background and Composition

"Shape" was written by Sting, Dominic Miller and Craig Dodds, and produced by Dodds under his production name Craigie, for the Sugababes' second studio album, Angels with Dirty Faces (2002). It is a remake of Sting's 1993 recording "Shape of My Heart"; the song's verses were changed, while the chorus that features Sting's vocals was re-recorded. According to Sugababes member Mutya Buena, "He felt he could do better with the chorus, so he came in to re-record it". The song was engineered by Jack Guy, and programmed by Dean Barratt. Additional vocal recording was completed by Ben Georgiades. "Shape" is the album's fourth and final single, and was released in the United Kingdom on 10 March 2003 as a CD single and casette tape. The B-side is a cover version of English producer Adamski's and English musician Seal's 1990 single "Killer".

"Shape" is a midtempo pop and R&B ballad with a subtle dance groove. The song was composed in the key of F minor, at a moderately slow tempo of 82 beats per minute. The Sugababes' vocal range in the song spans from the higher note of F3 to the lower note of G4. Its instrumentation consists of keyboards and bass guitar. The chorus of the song features Sting's vocals. Adrian Thrills of Daily Mail described "Shape" as an "ambitious, harmonica-led reworking" of "Shape of My Heart".

Read more about this topic:  Shape (song)

Famous quotes containing the words background and, background and/or composition:

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.
    Friedrich Nietzsche (1844–1900)

    Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.
    Vincent Van Gogh (1853–1890)