History
The building was constructed in 1933, as the clubhouse for the Shanghai Race Club race course. The horse race course was reputed to be the third most profitable industry during the 1930s (during the Republic of China era).
In March 1934 the new Shanghai Race Club building opened. The grandstand was thought at the time to be the largest in the world, and probably was, while the Race Club, with its marble staircases, teak-panelled rooms, oak parquet floors, and its coffee room which was 100ft by 47ft with a huge fireplace, must certainly ranked as the sumptuous club of its kind yet built in any country. China Races, Coates
In 1955, the building was renovated and a terrace was constructed on the roof. The goal was mainly to enable the architects to build wider stairs leading to the clock tower, so that youth can easily visit the tower.
The building has one of the most prominent clock towers in the city after the Customs House clock tower on the Bund. The clock tower at the Art Museum has historically been associated with decay and corruption in the city, as it was often inaccurate. However, it was renovated in 2006 and has been accurate since then.
Shanghai Art Museum is located on Nanjing Road. It occupies an area of 2200 sq m. It is open from 9.00 AM to 16.00 PM.
Since the early 1940s, the communists have built an extensive network of underground tunnels in the area. The tunnels under the art museum building still exist today. It connects to the Marriott hotel across the street, West Nanjing Road. On the top of the Art Museum is the Kathleen's 5 restaurant, a well-known restaurant in the city. Furthermore, the back road had to be refortified in 2005 since the food delivery trucks for Kathleen's 5 were heavy enough to crush the concrete pavement into the tunnels.
Read more about this topic: Shanghai Art Museum
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—Sébastien-Roch Nicolas De Chamfort (1741–1794)
“A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments.”
—T.S. (Thomas Stearns)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)