Shammi Kapoor - Film Career

Film Career

Kapoor started out with serious roles but with Filmistan's Nasir Hussain directed Tumsa Nahin Dekha (1957) opposite Ameeta and Dil Deke Dekho (1959) with Asha Parekh, he attained the image of a light-hearted, and stylish playboy. Tall, athletic, lively, fair complexioned, green-eyed and with handsome features, Shammi was a heartthrob, and his good looks and physique complemented his image. Both the films were debut films of the respective actresses Ameeta and Asha Parekh and both went on to be big hits and are regarded as classics.

With Junglee (1961) his new image was cemented and his subsequent films were all in this genre. He particularly chose Mohammed Rafi as his playback voice. In his early career in fifties, he had often played second fiddle to established heroines like Madhubala in films such as Rail Ka Dibba (1953) and Naqab, with Nutan in Laila Majnu, with Shyama in Thokar and with Nalini Jaywant in Hum Sab Chor Hain though none of them except Thokar clicked at the box office. But producers after 1960 apart from the actresses from southern India, loved pairing Shammi with new heroines, three of them became huge stars in their own right in Hindi films: Asha Parekh, Saira Banu, and Sharmila Tagore. Of all his heroines, he said that Sharmila Tagore, Rajshree, and Asha Parekh were easy to work with. Sharmila Tagore and Saira Banu made their Bollywood debuts with Shammi Kapoor in Kashmir Ki Kali and Junglee respectively He and Asha Parekh were paired together in four films, the most successful being besides debut film of Asha Parekh, the murder mystery Teesri Manzil (1966) and the romance film Jawan Mohabbat.

In the early fifties he accepted serious roles in women oriented films like Shama Parwana (1954) with Suraiya, comedy flick Mem Sahib (1956) with Meena Kumari and thrillers like Chor Bazar (1954), which were all successful at the box office and in the tragic love story Mirza Sahiban with (1957) (a box office flop) opposite Shyama, but did not gain recognition and fame among the masses. Other than the above hits, he had fifteen films as flops to his credit till 1957. The other hits in late fifties included Mujrim (1958), Char Dil Char Rahen, Raat Ke Raahi (1959). His performances in K A Abbas' Char Dil Char Raahein (1959) and Kidar Sharma's Rangeen Raatein (1956) were also noteworthy but remained underfeted. It was only after triple success of Tumsa Nahi Dekha (1957), Ujala and Dil Dil Deke Deko (both 1959), that he became popular with the audience and became a star. In the first half of the 1960s, Kapoor was seen in successful films like College Girl, Basant, Singapore, Boy Friend, Professor, Dil Tera Diwana, Vallah Kya Baat Hai, Pyar Kiya To Darna Kya, China Town, Kashmir Ki Kali, Bluff Master, Janwar and Rajkumar. Although nominated before, in 1968, he received the first Filmfare Best Actor award of his career for the film Bramhachari. He made a unique place for himself in the industry as he was the only dancing hero in Hindi films from the late fifties till early seventies. Saira Banu said in an interview "At the time when Dilip sahab, Raj Kapoor and Dev Anand ruled the industry, it was Shammi Kapoor who created a niche for himself with his unique dance moves. He used to say he didn't know how to dance but he would just listen to the music and feel it. He was the only 'dancing hero' at that time. Shammi Kapoor throughout the majority of his films specifically had India's best male playback singer Mohammed Rafi sing his songs for him. Shammi came on record by stating that "Without Rafi Saab I was incomplete". Such was the partnership that the hit numbers were a combination of Rafi's singing and the inimitable acting/dance style of Shammi that made them so memorable." He used to compose dancing steps by himself in the songs picturised on him and never needed a choreographer. This earned him the name of Elvis Presley of India.

His pairing opposite Southern heroines were always a success at the box office. He delivered hits opposite with Padmini gave Singapore (1960 film)B. Saroja Devi like Pyaar Kiya To Darna Kya and Preet Na Jane Reet,, opposite Vyjayanthimala had hits like College Girl and Prince (1969 film). In the sixties his successful run continued until new romantic icon Rajesh Khanna entered the scene in 1969. However Shammi did have commercial successes in late sixties, like Budtameez and Sachaai with Sadhana, Latt Saheb with Nutan and Tumse Achha Kaun Hai with Babita.

In the 1970s, Kapoor’s weight problem proved an obstacle in his path of success and ended his career as a romantic hero as his films started failing. His last hit film, in which he played the lead role, was Andaz (1971). As his career as hero ended, Shammi started playing character roles in films from 1974. Shammi played Saira Banu's father in Zameer (1974), when he had been her leading man a decade earlier in Junglee (1961) and Bluff Master (1964).In 1974, he donned the hat of a director and made Manoranjan in 1974 and Bundal Baaz (1976). However, both the films failed to create magic at the box office though were critically acclaimed and have developed a cult fan following over the years. His directorial venture Manoranjan (1974), a movie inspired from Irma La Douce, had Sanjeev Kumar in lead role and Shammi played a supporting role himself. In Bundal Baaz (1976) he cast Rajesh Khanna in the main lead and Shammi played the role of a genie in the film. Critics hailed these 2 films as classics and to be ahead of its time. In the 1980s and 1990s, he continued to play supporting roles in many films and won a Filmfare Best Supporting Actor Award for his performance in Vidhaata (1982). His notable roles as a character actor were in Hero, Vidhaata, Hukumat, Batwara, Tahalka, Chamatkar, Namak and Prem Granth. He got the opportunity to do some films in other languages such as Bengali and Tamil in the nineties. He did a social melodrama serial called Chattan aired on Zee TV for more than a year in the 1990s. He eventually cut down on film appearances by the late 1990s and early 2000s and made his appearances in the 1999 Salman Khan and Urmila Matondkar starrer Jaanam Samjha Karo, 2002 release Waah! Tera Kya Kehna and the delayed 2006 release Sandwich. He made his last appearance in Imtiaz Ali's directorial venture Rockstar co-starring his grand-nephew Ranbir Kapoor, the grandson of his brother Raj Kapoor.

Film director Shakti Samanta directed Shammi Kapoor in six hit films like Singapore, Pagla Kahin Ka, China Town, Kashmir Ki Kali, An Evening In Paris and Jaane Anjane and quoted in an interview “I found Shammi to be a thoroughly good man. Even in his heydays, he was humble."