Historical and Philosophical Development
The beginnings of Shaktism are shrouded in the mists of prehistory. The earliest Mother Goddess figurine unearthed in India, belonging to the Upper Paleolithic, has been carbon-dated to approximately 20,000 BCE. Thousands of female statuettes dated as early as c. 5500 BCE have been recovered at Mehrgarh, one of the most important Neolithic sites in world archaeology. While it is impossible to reconstruct the spiritual beliefs of a civilization so distantly removed in time, current archaeological and anthropological evidence suggests that the religion of the great Indus Valley Civilization is probably a direct predecessor of modern Shaktism.
As the Indus Valley Civilization slowly declined and dispersed, its peoples mixed with other groups to eventually give rise to Vedic Civilization (c. 1500 - 600 BCE). Shaktism as it exists today began with the literature of the Vedic Age; further evolved during the formative period of the Hindu epics; reached its full flower during the Gupta Age (300-700 CE), and continued to expand and develop thereafter.
The most central and pivotal text in Shaktism is the Devi Mahatmya (also known as the Durga Saptashati, Chandi or Chandi-Path), composed some 1,600 years ago. Here, for the first time, "the various mythic, cultic and theological elements relating to diverse female divinities were brought together in what has been called the 'crystallization of the Goddess tradition.'"
Other important texts include the canonical Shakta Upanishads, as well as Shakta-oriented Puranic literature such as the Devi Purana and Kalika Purana, the Lalita Sahasranama (from the Brahmanda Purana), the Devi Gita (from the Devi-Bhagavata Purana), Adi Shankara's Saundaryalahari and the Tantras.
Elements of Shaktism – most notably, the ubiquity of goddess worship in some form – has infused popular Hinduism. Its pervasive influence on the religion is also reflected in the Hindu adage, "When in public, be a Vaishnava. When among friends, be a Shaiva. But in private, always be a Shakta."
Recent developments related to Shaktism include the emergence of Bharat Mata ("Mother India") symbolism, the increasing visibility of Hindu female saints and gurus, and the prodigious rise of the "new" goddess Santoshi Mata following release of the Indian film Jai Santoshi Maa ("Hail to the Mother of Satisfaction") in 1975. Linda Johnsen in 'The Complete Idiot's Guide to Hinduism' notes:
"Today just as 10,000 years ago, images of the Goddess are everywhere in India. You'll find them painted on the sides of trucks, pasted to the dashboards of taxis, postered on the walls of shops. You'll often see a color painting of the Goddess prominently displayed in Hindu homes. Usually the picture is hung high on the wall so you have to crane your neck backward, looking up toward her feet. In India, Goddess worship is not a 'cult,' it's a religion, an extraordinarily spiritually and psychologically mature tradition. Millions of people turn every day with heartfelt yearning to the Mother of the Universe."
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