Shakespeare's Plays - Style

Style

During the reign of Queen Elizabeth, "drama became the ideal means to capture and convey the diverse interests of the time." Stories of various genres were enacted for audiences consisting of both the wealthy and educated and the poor and illiterate. Shakespeare served his dramatic apprenticeship at the height of the Elizabethan period, in the years following the defeat of the Spanish Armada; he retired at the height of the Jacobean period, not long before the start of the Thirty Years' War. His verse style, his choice of subjects, and his stagecraft all bear the marks of both periods. His style changed not only in accordance with his own tastes and developing mastery, but also in accord with the tastes of the audiences for whom he wrote.

While many passages in Shakespeare's plays are written in prose, he almost always wrote a large proportion of his plays and poems in iambic pentameter. In some of his early works (like Romeo and Juliet), he even added punctuation at the end of these iambic pentameter lines to make the rhythm even stronger. He and many dramatists of this period used the form of blank verse extensively in character dialogue, thus heightening poetic effects.

To end many scenes in his plays he used a rhyming couplet to give a sense of conclusion, or completion. A typical example is provided in Macbeth: as Macbeth leaves the stage to murder Duncan (to the sound of a chiming clock), he says,

Shakespeare's writing (especially his plays) also feature extensive wordplay in which double entendres and clever rhetorical flourishes are repeatedly used. Humor is a key element in all of Shakespeare's plays. Although a large amount of his comical talent is evident in his comedies, some of the most entertaining scenes and characters are found in tragedies such as Hamlet and histories such as Henry IV, Part 1. Shakespeare's humour was largely influenced by Plautus.