Shakespeare's Life - London and Theatrical Career

London and Theatrical Career

As a married man Shakespeare was ineligible to attend university and debarred from taking up a formal indentured apprenticeship in a trade with an established guild. But acting companies had so-called 'apprenticeships' which had much looser entry requirements. This is a possible clue to Shakespeare's route into the profession.

Most scholars believe that by 1592 Shakespeare was a playwright in London, and that he had enough of a reputation for Robert Greene to denounce him as "an upstart crow, beautified with our feathers, that with his Tygers hart wrapt in a Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and being an absolute Johannes factotum, is in his owne conceit the onely Shake-scene in a countrey." (The italicized line parodies the phrase, "Oh, tiger's heart wrapped in a woman's hide" which Shakespeare wrote in Henry VI, part 3.)

By late 1594, Shakespeare was part-owner of a playing company, known as the Lord Chamberlain's Men — like others of the period, the company took its name from its aristocratic sponsor, in this case the Lord Chamberlain. The group became popular enough that after the death of Elizabeth I and the coronation of James I (1603), the new monarch adopted the company and it became known as the King's Men, after the death of their previous sponsor. The works are written within the frame of reference of the career actor, rather than a member of the learned professions or from scholarly book-learning.

The Shakespeare family had long sought armorial bearings and the status of gentleman. William's father John, a bailiff of Stratford with a wife of good birth, was eligible for a coat of arms and applied to the College of Heralds, but evidently his worsening financial status prevented him from obtaining it. The application was successfully renewed in 1596, most probably at the instigation of William himself as he was the more prosperous at the time. The motto "Non sanz droict" ("Not without right") was attached to the application, but it was not used on any armorial displays that have survived. The theme of social status and restoration runs deep through the plots of many of his plays, and at times Shakespeare seems to mock his own longing.

By 1596, Shakespeare had moved to the parish of St. Helen's, Bishopsgate, and by 1598 he appeared at the top of a list of actors in Every Man in His Humour written by Ben Jonson. He is also listed among the actors in Jonson's Sejanus: His Fall. Also by 1598, his name began to appear on the title pages of his plays, presumably as a selling point.

There is a tradition that Shakespeare, in addition to writing many of the plays his company enacted and concerned with business and financial details as part-owner of the company, continued to act in various parts, such as the ghost of Hamlet's father, Adam in As You Like It, and the Chorus in Henry V.

He appears to have moved across the River Thames to Southwark sometime around 1599. In 1604, Shakespeare acted as a matchmaker for his landlord's daughter. Legal documents from 1612, when the case was brought to trial, show that Shakespeare was a tenant of Christopher Mountjoy, a Huguenot tire-maker (a maker of ornamental headdresses) in the northwest of London in 1604. Mountjoy's apprentice Stephen Belott wanted to marry Mountjoy's daughter. Shakespeare was enlisted as a go-between, to help negotiate the details of the dowry. On Shakespeare's assurances, the couple married. Eight years later, Belott sued his father-in-law for delivering only part of the dowry. Shakespeare was called to testify, but remembered little of the circumstances. On this case see article 'Bellott v. Mountjoy'.

Various documents recording legal affairs and commercial transactions show that Shakespeare grew rich enough during his stay in London years to buy a property in Blackfriars, London and own the second-largest house in Stratford, New Place.