Shakespearean Fool - Dramatic Function

Dramatic Function

'That, of course, is the great secret of the successful fool – that he is no fool at all.'

Isaac Asimov, Guide to Shakespeare.

Some have argued that the clowning in Shakespeare's plays may have been intended as "an emotional vacation from the more serious business of the main action". Clowning scenes in Shakespeare's tragedies mostly appear straight after a truly horrific scene: The Gravediggers in Hamlet after Ophelia's suicide; The Porter in Macbeth just after the murder of the King; and as Cleopatra prepares herself for death in Antony and Cleopatra. Nevertheless, it is argued that Shakespeare's clowning goes beyond just 'comic relief', instead making the horrific or deeply complex scenes more understandable and "true to the realities of living, then and now" by shifting the focus from the fictional world to the audience's reality and thereby conveying "more effectively the theme of the dramas".