Shake Your Money Maker (album) - Release and Reception

Release and Reception

Professional ratings
Review scores
Source Rating
Allmusic
Robert Christgau
CMJ (favorable)
Rolling Stone

When the album came out in January 1990, critical reception was mostly favorable: Rolling Stone gave the album three out of five stars, and its readers and critics voted the Black Crowes 'Best New American Band' in 1990; the band appeared on the cover of the magazine's 605th issue (May 1991) following their firing from the ZZ Top tour in March that year. The issue's interview of Chris and Rich Robinson compared the band to 1970s acts, with journalist David Fricke explicitly citing Faces and The Rolling Stones and Rich Robinson mentioning Aerosmith. Allmusic gave the album four out of five stars, praising Rich Robinson's guitar playing and Chris Robinson's "appropriate vocal swagger". Robert Christgau, however, disliked the album, giving it a dud (which is the lowest grade in Christgau's rating system).

"Hard to Handle", "Jealous Again" and "Twice As Hard" broke into the Mainstream Rock Tracks charts, respectively reaching the first, fifth and eleventh position. By the end of the year, Shake Your Money Maker had sold one million copies and eventually sold two million more, thus receiving triple platinum certification. In 1991, "She Talks to Angels" and "Seeing Things" respectively reached the first and second position of the Mainstream Rock Tracks charts.

Read more about this topic:  Shake Your Money Maker (album)

Famous quotes containing the words release and, release and/or reception:

    We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.
    Elizabeth Drew (1887–1965)

    We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.
    Elizabeth Drew (1887–1965)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)