Production
While filming The Toxic Avenger Part II in Japan, where the original Toxic was a major hit, Kaufman and Herz were approached by Tetsu Fujimura and Masaya Nakamura of Namco to create a Kabuki-themed superhero movie, supposedly based on an idea by Kaufman. Namco became a producer up front, giving Troma a one and a half million dollar budget to begin preproduction, the most expensive film in Troma history.
Unfortunately, creative differences troubled production from the start. Both Namco and Herz wanted a mainstream-accessible film geared towards kids, whereas Kaufman wanted the usual Troma-esque sex and violence angle. In the end, Kaufman had his way and Kabukiman was turned into an R-rated comedy in the vein of Troma's previous films. A PG-13 cut was shown to the film's investors who, thoroughly dissatisfied, withdrew their distribution deals. Ironically, the PG-13 cut would be the one seen in theaters. Although Kaufman screened Kabukiman at Cannes for several years, the movie did not see theatrical distribution until 1996.
Although Kabukiman received some positive reviews from both The New York Times and The New York Post (whose quotes are prominently featured on the video package), most Troma fans have mixed feelings towards the film. Though some consider it a classic to rival the original Toxic Avenger, most find it a slow-paced, uneven mix between family-friendly fare and Troma-esque sex and violence. The film was also reviewed by Siskel & Ebert. Despite giving it a thumbs down, Ebert took a liking toward the film and compared it favorably to another independent film at the time, Switchblade Sisters.
Read more about this topic: Sgt. Kabukiman N.Y.P.D.
Famous quotes containing the word production:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)