Sex Acts and Positions
Around 90 positions for intercourse are recorded in the ancient world. Both Roman erotic art and Latin literature, most famously a passage from Ovid's Art of Love, depict various forms of copulation (concubitus varii) and sexual positions (figurae veneris). The Latin terms are Ovid's, from his description of how the most aristocratic households displayed erotic paintings among their art collections. According to Suetonius, Tiberius had a vast collection of sex manuals and erotic art, including a painting of the mythological huntress Atalanta performing oral sex on Meleager, a work that the emperor regarded as worth more than a million sesterces. Sexual variety fascinated Romans. Astrology was thought to influence one's preferences and pursuits: people born when the sun, moon, and planets were in certain astrological signs were supposed to be inclined toward secret vice or "unnatural" forms of intercourse, or to becoming pathici.
Lucretius observes that sex acts may have different purposes. Prostitutes employ certain movements aimed at giving their customers pleasure and at avoiding pregnancy. Wives wishing to conceive are advised against moving vigorously during intercourse, since such movements "knock the ploughshare from the furrow and misdirect the sowing of the seed." Lucretius recommends "doggy style" (a tergo) for couples trying to conceive, because it mimics the natural procreative sex of animals.
Read more about this topic: Sexuality In Ancient Rome
Famous quotes containing the words acts and/or positions:
“It is not enough to ask, ‘Will my act harm other people?’ Even if the answer is No, my act may still be wrong, because of its effects on other people. I should ask, ‘Will my act be one of a set of acts that will together harm other people?’ The answer may be Yes. And the harm to others may be great. If this is so, I may be acting very wrongly, like the Harmless Torturers.”
—Derek Parfit (b. 1943)
“The season developed and matured. Another year’s installment of flowers, leaves, nightingales, thrushes, finches, and such ephemeral creatures, took up their positions where only a year ago others had stood in their place when these were nothing more than germs and inorganic particles. Rays from the sunrise drew forth the buds and stretched them into long stalks, lifted up sap in noiseless streams, opened petals, and sucked out scents in invisible jets and breathings.”
—Thomas Hardy (1840–1928)