Syncretistic Interpretations
Egyptologist Gerald Massey wrote in 1881 of what he described as connections between Vedic scripture, ancient Egyptian mythology and the Gospel stories. He theorized that the Archon Iao, the "Seven-rayed Sun-God of the Gnostic-stones" was also the "Serpent Chnubis," and "the Second Beast in the Book of Revalation." In 1900, he elaborated further, describing the unity of "the seven souls of the Pharaoh," "the seven arms of the Hindu god Agni," "the seven stars in the hand of the Christ in Revelation," and "the seven rays of the Chaldean god Heptaktis, or Iao, on the Gnostic stones."
Samuel Fales Dunlap, wrote in 1894:
Moses was of the race of the Chaldeans. The Chaldean Mithra had his Seven Rays, and Moses his Seven Days. The other planets which circling around the sun lead the dance as round the King of heaven receive from him with the light also their powers; while as the light comes to them from the sun so from him they receive their powers that he pours out into the Seven Spheres of the Seven Planets of which the sun is the centre.
Dunlap wrote that the idea of spirit as the ultimate cause is present in all of the great religions of the East (which in the terminology of his time included the area now known as the Near East or Middle East), and that this idea can be found in "the Seven Rays of the Chaldaean Mithra and the Seven Days of Genesis. From the Sun came fire and spirit." According to Dunlap, "this was the astronomical religion of the Chaldeans, Jews, Persians, Syrians, Phoenicians and Egyptians."
Dunlap compared the nimbus of Apollo to the seven rays of Dionysus, presiding over the orbits of the seven planets. The seven rays are found also in the Chaldean mystery of "the God of the Seven Rays, who held the Seven Stars in his hand, through whom (as Chaldaeans supposed) the souls were raised." Prior to the Christian era, this deity was known as Iao (the first birth) or Sabaoth (the Sun), and later described as "Christos of the Resurrection of Souls."
In the late 1940s, art historian and writer Ananda Coomaraswamy was curator in the department of Asiatic Art at the Boston Museum of Fine Arts and built the first large collection of Indian art in the United States. His writings in the field of perennial philosophy and the Traditionalist School included complex essays collating symbols of ancient wisdom and metaphysics from widely diverse cultures including Indian, Islamic, Chinese, Hellenic, and Christian sources. He wrote that the seven rays of the sun appear in both Hindu and Christian symbolism, representing similar concepts, and in particular the symbolism of the seventh ray that "corresponds to the distinction of transcendent from immanent and of infinite from finite." He added that of "our Axis of the Universe (skambha, divo dharuna, etc.) and Islamic qutb ..... The seventh ray alone passes through the Sun to the suprasolar Brahma worlds, "where no sun shines" ('all that is under the Sun being in the power of Death, and all beyond immortal')."
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