The seven deadly sins, also known as the capital vices or cardinal sins, is a classification of objectionable vices (part of Christian ethics) that have been used since early Christian times to educate and instruct Christians concerning fallen humanity's tendency to sin. The currently recognized version of the sins are usually given as wrath, greed, sloth, pride, lust, envy, and gluttony.
The Catholic Church divides sin into two categories: venial sins, in which guilt is relatively minor, and the more severe mortal sins. Theologically, a mortal or deadly sin is believed to destroy the life of grace and charity within a person and thus creates the threat of eternal damnation. "Mortal sin, by attacking the vital principle within us - that is, charity - necessitates a new initiative of God's mercy and a conversion of heart which is normally accomplished within the setting of the sacrament of reconciliation."
To Catholics the seven deadly sins do not belong to an additional category of sin. Rather, they are the sins that are seen as the origin ("capital" comes from the Latin caput, head) of the other sins. A "deadly sin" can be either venial or mortal, depending on the situation; but "they are called 'capital' because they engender other sins, other vices."
Beginning in the early 14th century, the popularity of the seven deadly sins as a theme among European artists of the time eventually helped to ingrain them in many areas of Catholic culture and Catholic consciousness in general throughout the world. One means of such ingraining was the creation of the mnemonic "SALIGIA" based on the first letters in Latin of the seven deadly sins: superbia, avaritia, luxuria, invidia, gula, ira, acedia.
Read more about Seven Deadly Sins: Biblical Lists, History, Catholic Seven Virtues, Associations With Demons, Patterns, Cultural References
Famous quotes containing the words deadly sins, deadly and/or sins:
“The seven deadly sins.... Food, clothing, firing, rent, taxes, respectability and children. Nothing can lift those seven millstones from Man’s neck but money; and the spirit cannot soar until the millstones are lifted.”
—George Bernard Shaw (1856–1950)
“For a novel addressed by a man to men and women of full age; which attempts to deal unaffectedly with the fret and fever, derision and disaster, that may press in the wake of the strongest passion known to humanity; to tell, without a mincing of words, of a deadly war waged between flesh and spirit; and to point the tragedy of unfulfilled aims, I am not aware that there is anything in the handling to which exception can be taken.”
—Thomas Hardy (1840–1928)
“Madam, or sir, would you visit on the butterfly the sins of the caterpillar?”
—Herman Melville (1819–1891)